Early Modern Drama · Character Archetypes

ACHOREUS

in Cleopatra, Queen of Egypt — May, Thomas

Metadata

PlayCleopatra, Queen of Egypt
AuthorMay, Thomas
Year (catalogued)1639
First performance1626
Decade1630s
GenreTragedy
Play typeUnknown; Professional (?); Nonprofessional (?)
CompanyUnknown
Speech prefix(es)ACH. | ACHOREUS. | ACHO. | ACO.
Words412
Characters2270
Typicality0.31 (cosine to cluster centroid)
TCP idA07330
BritDrama no.2188
ClusterCluster 7 — Pedants, satyrs & Latin wit

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

He had a knowing soul, And was a master of Philosophy As well as War. What talk you of my sons? It was a strange one both for from and greatness, And bodes some mischief whersoere it light. The Gods avert it from our Egypt's coast. Alas, my son, there needs no prodigies To show the certain lose of Italy. For on both sides do Roman Eagles stand, And Room must bleed who ere be conqueror, Beside her liberty for ever lost When this sad field is fought: but that's not all, What climb so far, what region so remote, But that the Roman fortune reaches thither? All nations share in this. Within the vault of our Pyramids His body yet all whole may Caesar see. And all the bodies of our Ptolomeys. hat dire portents sent from the wrathful Gods? hreaten th'astonish'd world? What plagues are those hich in the skies prodigious face I read? umultuous Nature teems with monstrous births, if the throws would break her labouring womb. What ruin less then Chaos shall involve The mourning face of Nature? what great fate, What kind of mischief is it? o you Gods, Why did you add to wretched men a care So passed their strength to bear, to let them know By sad presages their ensuing woe? Unknown and sec et let your vengeance be, And none foresee their following misery; But hope as well as fear. Jove hide thy dooms; Keep shut, o fates, your adamantine books! Let not the baneful curiosity Of humane knowledge search your secret counsels, And read your purposes, to nourish so A killing fear before the danger grow. I'll go within, and make and offering To great Osiris. Exit Achoreu wretched Egypt, ah unhappy land what hast thou so stored the wrath of heaven? he grieved God refused his offering ellowing aloud that all the Temple rung, and from his sacred eyes the tears run down. old I could contradict, or not believe he skill which surest observations teach. his signifies a change of government. Hail mighty Caesar. Please it great Caesar, To give Achoreus leave to wait on him Into the ancient Temples of our Gods To show the Egyptian rites and mysteries, And all the Deities that we adore. True son; and let a wise man place his strengths Within himself, nor trust to outward aids. That whatsoever from the Gods can come May find him ready to receive their doom. Exeum

Plot summary

Plot — Cleopatra, Queen of Egypt
PLOT Though he has a wife in Rome, Antonius is devoted to Cleopatra. Provocatively, he bestows on her three eastern Provinces which were under Roman rule. News arrives from Rome that all but one of his rivals have been eclipsed; the remaining politician, Caesar, is too proud to share power and has engrossed the others' confiscated estates to himself rather than dividing them with Antonius. Antonius abandons hedonism to prepare for war, and Cleopatra forces him to allow her to accompany him. Portents appear in Egypt and Rome, including a comet. During the decisive battle, Cleopatra flees and Antonius follows her, leaving his navy to be massacred; his soldiers transfer their allegiance to Caesar. Antonius goes to live in misanthropic seclusion, madly taking on the name and identity of Timon of Athens. Cleopatra offers Caesar gold to keep herself and her dynasty on the Egyptian throne. Caesar wants the gold, but also wants to display her at his triumph; but, knowing that she will never allow herself to be humiliated, he decides on a ruse. Meanwhile, Cleopatra investigates suicide methods, only to be told that there is no chemical poison which is both fast-acting and painless: her only option is the bite of an asp. She tests the claim on two condemned prisoners, administering the asp to one; when it does indeed appear to be a tranquil death, the other man is spared. Antonius is brought back to his senses by the news of his army's defection, and prepares to return to Cleopatra. While she is expecting his arrival, Thyreus brings her a message from Caesar, who claims to be in love with her. She is minded to accept and give Caesar one of her towns, but Antonius' friends suspect a plot and Thyreus is imprisoned. She accuses Antonius of unreasonable jealousy and threatens suicide, so Thyreus is released and sent back to Caesar with her acceptance of his terms. Cleopatra realizes that she has played false on both sides: her arrangement with Caesar will cost her Antonius' love, but conversely she cannot trust Caesar. While Antonius goes into battle, she retires to her tomb. After Antonius is routed, she sends him false news of her death, and he reacts suicidally. Learning the truth too late, he has himself taken to the tomb so that he can die in Cleopatra's arms. She realizes Caesar's insincerity and resolves to kill herself with the asp. Caesar brings medical specialists, but they are too late to save her life. Caesar honours Antonius and Cleopatra in death, and…