Early Modern Drama · Character Archetypes

PAULO

in The Maid of Honor — Massinger, Philip

Metadata

PlayThe Maid of Honor
AuthorMassinger, Philip
Year (catalogued)1632
First performance1621
Decade1630s
GenreTragicomedy
Play typeAdult Professional
CompanyQueen Henrietta Maria's Men
TheaterPhoenix/Cockpit;Indoor Professional
Speech prefix(es)Pau. | Paulo.
Words154
Characters770
Typicality0.42 (cosine to cluster centroid)
TCP idA07240
BritDrama no.2291
ClusterCluster 10 — Mourners, mothers & doleful voices

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

She has forsook the world. Look on this maid of honour now Truly honoured in her vow She pays to heaven, vain delight By day, or pleasure of, the night, She no more thinks of this fair hair (Favours for great kings to wear) M w now be shorn. Her rich array Changed into a homely grey. The dainties with which she was fed And her proud flesh pampered, Must not be tasted, from the spring, For wine cold water we will bring And with fasting mortify The feasts of sensuali y. Her jewels, beads, and she must look Not in a glass, but holy book; To teach her the never erring way To immortality. Oh may She as she purposes to be A Child new born to piety, Persever in in it, and good men With Saints and Angels say Amen Thus as a principal ornament to the Church I sea e her.

Plot summary

Plot — The Maid of Honor
Before the start of the action, Aurelia, Duchess of Siena, refused a marriage proposal by Ferdinand, Duke of Urbino. In reprisal, Ferdinand attacked Siena, conquered it, but then found himself trapped inside the city by the regrouped Sienese troops. To raise the siege, he invokes a defensive treaty with Sicily, but King Roberto refuses to honour it because Ferdinand was the aggressor and has brought his troubles on himself. However, he allows his bastard half-brother Bertoldo to go to war with a volunteer army. The court favourite Fulgentio takes advantage of Bertoldu: absence to woo his fiancée, Camiola. But she misses Bertoldo and refuses Fulgentio; his mpaste 1s to produce Roberto’s ring and make it a reval order that she accept him. She wishes Bertoldo were present to defend her honour: another suitor. Adurni. steps in. fights a duel, and wounds Fulgentio, which gets him into trouble with the King. Far trom raising the siege. Bertolde is routed by Gonzaga, Aurelia’s general. Both men are kKrughts «1 Malta, and Gonzaga is affronted to find Bertalds: unmindtul of chivalry as to be leading an ara searnst a lady’s interests. Roberta seuds Astutio te ransens: the Sicilian prisoners of war, but Bertoldo from the payment of his ransam by any private cen © aiid, expressly crcbeudhe + a ' torbnds ihe arrangement and ignores the order and sends Adurnt Go pay the ratsern Bertoldy is released. abligation to marry Camtola: bat Aurelia asks 1) him, falls in love with huni. arranges a dispersaticn redoubling his ctstrae tee ered toe release him from his vow to marry © cate to Sicily with him to arrange Chere ortreniss wetunal intervenes, apparently to stop the weddtap. but tars: out that she has taken helv orders aed ab safer nunnery.