Early Modern Drama · Character Archetypes

ASOTUS

in The Bondman (The Noble Bondman) — Massinger, Philip

Metadata

PlayThe Bondman (The Noble Bondman)
AuthorMassinger, Philip
Year (catalogued)1624
First performance1623
Decade1620s
GenreTragicomedy
Play typeAdult Professional
CompanyLady Elizabeth's Men
TheaterPhoenix/Cockpit;Indoor Professional
Speech prefix(es)Asot. | Asotus. | Aso. | Asotas.
Words809
Characters4063
Typicality0.31 (cosine to cluster centroid)
TCP idA07234
BritDrama no.2074
ClusterCluster 11 — Tosspots & tavern railers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

You slave, you Dog, down Cur. Now am I in my kingdom. Who says I am not valiant? I begin To frown again, quake villain. Are they so Sir, God's-light, if I had them at this bey, that flout me, And say I look Like a sheep, and and Ass, I would make they Feel, that I am a Lion. I'll Beatrice thee a little more, Then study for a reason, Oh I have it, One brake a jest on me, and then I swore Because I durst not strike him, when I came home That I would break thy head. Remember too, I charge you To teach my Horse good manners; yet this morning, As I road to take the air, th'untutor'd Jade Threw me, and kic'kd me. What's that? I'll think vpon't. Here's my Mother, Enter Corisca and Zanthia. She is chastising too: How brave we live! That have our slaves to Beatrice, to keep us in breath, When we want exercise. My Mother in law is sure At her devotion. Fair Madam, and my Mother. Two days since, But she's so coy forsooth, that ere I can Speak a penned speech I have bought, and studied for her, Her woman calls her away. Sirrah, be gone. Would I were so: I fear I shall be out. Have at it. Save thee sweet heart. A kiss. How does thy Lady? Does she think of me? Not of thine own? By all means. I am mad, Till I am at it. There's for thy counsel. This is the fairest interlude, if it prove earnest, I shall wish I were a Player. Not so: you are caught. Lo whom you wish, behold Asotus here! 'slid she's angry. Lady, I would descend to kiss your hand, But that it's gloved, and Civit makes me sick; And to presume to taste your lips not safe, Your woman by: She's at her book, Oh rare! 'Tis my suit too. I am a grissell, and these Spider fingers, Will never hold a Sword. Let us alone To rule the Slaves at home, I can so yerk em, But in my Conscience, I shall never prove Good Justice in the war. I would serve in The second course, but still I fear your woman. God's-light she's asleep! It's pity, these instructions are not printed: They would fell well to Chambermaids, it's no time now To play with my good fortune, and your favour, Yet to be taken, as they say: a scout To give the signal when the enemy comes, Exit Zanthia. Were now worth gold: She's gone to watch. A waiter so trained up were worth a million, To a wanton City Madam. O. Oh no, Sir. Asotus makes moppes. I am punished, For seeking to Cuckold mine own natural Father. Had I been gelded then, or used my self Like a man: I had not been transformed, and forced To play and overgrown Ape. We pay for't now, I now could be content to have my head Broke with a rib of Beef, or for a Coffin Be buried in the dripping Pan. And shall I be The thing I was born, my Lord? If he get lose, I know it, I caper, Like and Ape, again: I feel The whip already. There's no hope for me then: I thought I should have put in for a share, And born Cleora from them both; but now This stranger looks so terrible, that I dare not So much as look on her. For me I'll find a time To be revenged hereafter. I think so: Nor the land Where Apes, and Monkeys, grow, Like Crabs, and Walnuts On the same tree. Not all the Catalogue Of Conjurers, or wise women, bound together Could have so soon transformed me, as my Rascal Did with his whip; Not in outside only, But in my own belief, I thought my self As perfect a Baboon. And would have given one leg with all my heart For good security to have been a man After three lives, or one and twenty years, Though I had died on Crouches. Three years of feeding On Cullises and jelly, though his Cooks Lard all he eats with marrow, or his Doctors Pour in his mouth Restoratives, as he sleeps, Will not recover him. I would say something, But the truth is, I know not what. You teach me; Lady, now your Cabinet. When we are there, I'll show you my best evidence. No matter, Now we have begun, let's end the act. Why, being his Heir, I am bound, Since he can make no satisfaction to you, To see his debts paid. Enter Zanthia running. Plague on his toothless chaps, he cannot do't Himself, yet hinders such as have good stomachs. Enter Cleon. Never to rise, I hope, more. Exeunt.

Plot summary

Plot — The Bondman (The Noble Bondman)
Carthage has territorial designs on Sicily, so Corinth sends its general, Timoleon, to take charge of the defence of Syracuse. On arrival, he criticizes the Sicilians for appointing unworthy and inexperienced senators and for general corruption. He decrees that all private wealth should be sequestered to pay for the war. It is an unpopular measure until Cleora public- spiritedly gives up her jewels, forcing the others to follow her example. Cleora has several suitors, including Pisander of Thebes; but her brother Timagoras, keen for her to marry his friend Leosthenes, slandered Pisander to induce their father to send him away. Now that the young men are going to war, Leosthenes is jealous about what she may get up to in his absence, so she promises literally not to see or say anything until his return. The slaves of Syracuse take advantage of the absence of the army and rebel, enslaving their former masters. The ringleader is Cleora’s slave Marullo, who claims to be motivated by unrequited passion for his mistress, but, when he gains access to her, disclaims any intention of raping her and receives in return a wordless acknowledgement of her regard for him. He encourages the former slaves to treat their former masters well, since their positions may again be reversed. News arrives of a victory over the Carthaginians, with particular military distinction achieved by Leosthenes. The rebellious slaves man the city’s walls and gates to keep out the returning army; from the walls, Marullo declares their grievances and demands their freedom. Timoleon realizes they will have to fight their way into the city, but the slaves put up a valiant resistance until cowed by the sight of their masters’ whips. Marullo flees to Cleora’s house, where he is captured. Cleora tells Leosthenes what happened, and asks him to use his influence to have Marullo spared, but this only makes Leosthenes jealous again. Cleora’s father gives her freedom to choose her own husband; he respects Marullo for his restraint in not ransacking the house during the revolt. Cleora realizes she must marry either Leosthenes or Marullo: both are worthy of her, but she is bound to disappoint one. On hearing that Marullo has been ill-treated by his captors, she rushes off to visit him in prison. Leosthenes and Timagoras follow, alerted by her maid, and find them alone together. Timagoras tries to kill Marullo, but is prevented, Timoleon is appointed to try Marullo’s case. Leosthenes and Marullo both…