No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
I tell you no; I am one that hath seen this play often, & can give them intellegence for their Actium: I have most of the jests here in my table-book. Oh Cousin, come you shall fit between my legs hear. Nay, her that I work upon you coose. The Players. God save you. I pray you know this Gentleman my cousin, t'is Master Doomesdaies son the usurer. No in good faith for mine ease, look you my hat's the handle to this fan: Gods so, what a beast was I, I did not leave my father at home. Well, but I'll take and order with you. Why? do you think I'll have jests broken upon me in the play to be laughed at: this play hath beaten all your gallants out of the feathers: Black friars hath almost spoiled black friars for feathers. Why coose? Do you hear sir, this play is a bitter play. I will not go so far with you, but I say, any man that hath wit, may censure (if he fit in the twelve-penny room:) and I say again, the play is bitter. I marry would I. I would know how you came by this play? I wonder you would play it, another company having interest in it? What are your additions? Who I? I'll tell you a strange thing of my self, and I can tell you for one that never studied the art of memory, 'tis very ange too. Why I'll lay a hundred pound I'll walk but once down by the goldsmiths row in Cheap, take notice of the signs, and tell you them with a breath instantly. They begin as the world did, with Adam and Eve. Theres in all joust five and fifty. I do use to meditate much when I come to plays too. What do you think might come into a men head now, seeing all this company? I have and excellent thought: if some fifty of the Grecians that were crammed in the horse belly had eaten garlic, do you not think the Trojans might have smelled out their knavery. By God I would he had, for I love Hector horribly. Alexander was and ass to speak so well of a filthy cullion. Come coose, lets take some Tobacco. Have you never a prologue? Let me see, I will make one extempore. Come to them and fencing of a congey with arms and legs. Be round with them. Gentlemen, I could wish for the women's S kes you had all S ft : and Gentlewomen, I could wish that for the men's sakes you had all more easy standings. What would they wish more but the play now, and that they shall have instantly. Why? we may fit upon the stage at the private house: thou dost not take me for a country gentleman, dost? dost think I fear hissing? I'll hold my life thou tookest me for one of the players. By gods slid if you had, I would have given you but six pence for your stool: Let them that have stale suits, fit in the galleries, hiss at me: he that will be laughed out of a Tavern or and Ordinary, shall seldom feed well or be drunk in good company. Where's Harry Cundale, Worser: Burbidge, and W: Sly, let me speak with some of them.
Plot summary
Plot — The Malcontent
AltSffont, Duke of Genoa, has been deposed in a coup backed by the Great DukelofiFlorence, and replaced by Pi2tf5) the husband of Florence’s daughter Alurelial Though banished, Altofront has remained in Genoa disguised as the court malcontent Malevolg) his identity known only to his ally @@lS. He tells Pietro that (Mendez, who brokered his marriage to Aurelia, is cuckolding him. So he is, but Femniezé replaces him in Aurelia’s affections when he claims that Mendoza 1603 prefers another woman. Pietro confronts Mendoza, who names Ferneze as the true adulterer, and they lay a plot to surprise the couple in bed: Ferneze flees by a back entrance, but Mendoza lies in wait and attacks him as he leaves, then, when Aurelia comes out, pretends that he was protecting Ferneze. Pietro believes that his objective is to gain Aurelia’s confidence so that he can position himself to spy on her, and rewards his supposed fidelity by adopting him as his successor; but Mendoza’s real motive is to avenge himself on Pietro for suspecting him, on Aurelia for rejecting him, and on Ferneze for supplanting him. Ferneze is left for dead, but Malevole finds him still alive and takes him to safety. Bili6SG is sent as an ambassador to inform Florence of his daughter’s misbehaviour. Aurelia conspires with Mendoza to assassinate Pietro; she will then install him as Duke, with Florentine support. Mendoza engages Malevole, recently banished from court, to murder Pietro during a hunt, and explains his future plans to the malcontent. Malevole finds Pietro sleeping but does not take the opportunity to kill the usurper: instead he discloses Mendoza’s plot and helps Pietro to disguise himself as a hermit. He then brings ‘the hermit’ to court with an eye-witness account of Pietro’s suicide. Mendoza assumes power, banishes Aurelia, retains ‘the hermit’ as his confessor, and sends Malevole to Altofront’s imprisoned Duchess, Mafia} with a message of love. He engages Malevole and ‘the hermit’ to poison one another, intending that the blame shall fall on Maria and serve as a lever to force her into accepting him. Bilioso returns from Florence with the Great Duke’s orders: Aurelia is to be executed, Pietro banished, and Altofront reinstated. Upon seeing the changed political scene, however, Bilioso supports Mendoza. Pietro repents his usurpation of the dukedom, whereupon Malevole reveals his true identity. Together with Celso and Ferneze, they will now conspire to bring down Mendoza. When Malevole…