in The Insatiate Countess — Machin, Lewis; Barkstead, William; Marston, John
Metadata
Play
The Insatiate Countess
Author
Machin, Lewis; Barkstead, William; Marston, John
Year (catalogued)
1613
First performance
1607
Decade
1610s
Genre
Tragedy
Play type
Boys Professional
Company
Children of the Queen's Revels (?); Children of the King's Revels (?)
Theater
Whitefriars;Indoor Professional
Speech prefix(es)
Lent. | Lady Lent. | Lady.
Words
652
Characters
3438
Typicality
0.36 (cosine to cluster centroid)
TCP id
A07067
BritDrama no.
1605
Cluster
Cluster 4 — Constant hearts & virtuous ladies
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
counsel him good my Lord. Well my Lord, I am none of these, That have my second Husband bespoke, My door shall be a testimony of it. And but these noble Marriages encite me, My much abstracted presence should have showed it. If you come to me, hark in your ear my Lord, Look your Ladder of ropes be strong, For I shall tie you to your Tackling. Lord Bridegroom, will you enterprete me? I by my troth my Lord, if they come to me. No: good my Lord, let the first stand. I changed too lately to Like any. Yet you sink apace sir. Who speaks in Music to us? I thank you for your Music: now goodnight. My Lord, your honour made me promise your ascent into my house, since my vow barred my doors, By some wits engine, made for theft and lust: Yet for your Honour, and my humble fame, Check your bloods passion, and return deer Lord: Suspicion is a Dog that still does bite. Without a cause, this act gives food to Envy; Swollen big, it bursts, and poisons our clear flames. Envy is blind, my Lord, and cannot see. Then come. Yet stay. Ascend. Yet let us partly. I fear, yet know not what I fear: Your Love's precious, yet mine Honor's deer. Then come my Lord, on earth your vow is given. This aid I'll lend you. He throws up a ladder of cords, which she makes fast to some partly of the window, he asends, and at top falls. Oh me unhappy wretch. How fares your Honour? speak Fate-crossed Lord. If life retain his seat within you, speak; Else Like that Sestian Dame, that saw her Love, Cast by the frowning billows, on the sands, And lean death swollen big with the Hellespont, In bleak Leanders body, Like his Love, Come I to thee, one graven shall serve us both. My doors are vowed shut, and I cannot help you. Your wounds are mortal, wounded is mine Honour, If there the Town-guard find you. Unhappy Dame, Relief is perjured, my vow kept, shame. What hellish Destiny did twist my fate? Thou more then man, love-wounded: joy and grief fight in my blood. Thy wounds and constancy Are both so strong none can have victory. To partly and leave you hurt my soul does fear. Wee'll move together, then Fate Love controls, And as we partly so bodies partly from souls. Why then take comfort sweet, I'll see'ou to morrow. Exit. Good my Lord learn to swear by roate: Your birth and fortune makes my brain suppose, That Like a man heated with wines and lust, She that is next your object is your mate, Till the foul water have quenched out the fire. You the Dukes kinsman, tell me, I am young, Fair, rich, and virtuous; I my self will flatter My self, till you are gone, that are more fair, More rich, more virtuous, and more debonair: All which are ladders to and higher reach: Who drinks a puddle that may taste a spring? Who kiss a Subject that may hug a King? Oh you're a couple of trusty wenches, to deceive your husbands thus. I, but never bed me my Lord: my vow is firm Since God hath called me to this noble state, Much to my grief, of virtuous Widowhood, No man shall ever come within my gates. Come madcaps leave jesting, and let's deliver them out of their earthly purgation; you are the spirits that torment them: but my love and Lord, kind Mendosa, will lose his life, to preserve mine honour, not for hate to others. He that's willing to die to save mine honour, I'll die to save his. Come: we neglect our business, it's no jesting, To morrow they are executed lease we reprieve them, We be their destinies to cast their fate. Let's all go.
Plot summary
Plot — The Insatiate Countess
Suitors visit Isabella, who is in open mourning for her dead husband, but secretly glad to be free of his jealousy and restrictions. She accepts Count Roberto’s suit and they are married the following day; but when she dances with Count Rogero in the wedding masque, her affections turn. She woos Rogero by letter and elopes with him to Pavia; Roberto enters holy orders. At Pavia, Rogero is visited by his friend Gniaca; Isabella falls in love with the newcomer, and feigns illness to give herself an opportunity to seduce him. After bedding Gniaca, she then feigns penitence to free herself from Rogero. The spurned lover takes his revenge by circulating bitter satires on Isabella’s promiscuity, so she sets on Gniaca to kill him. In the attempt, Gniaca is reconciled with his former friend, so Isabella seduces Don Sago, colonel in the Spanish power occupying Pavia, to murder both Rogero and Gniaca. Sago kills Rogero, and is arrested, but pardoned by the Duke of Medina. Isabella’s attempt to bribe the Duke fails to secure her freedom, and she is beheaded after a scaffold reconciliation with Roberto. In the sub-plot, the enemies Claridiana and Mizaldus are both married on the same day. They quarrel when they meet, and Mizaldus’s wife Abigail and Lady Lentulus, who are close friends, compare notes and swap places: each receives her own husband in the other’s bedroom. Meanwhile their friends Mendosa and Lady Lentulus, attracted to one another, try to circumvent the latter’s vow not to admit a man through her front door: he climbs up to her window by rope ladder, but falls into the street, where the watch find him injured and send him to a surgeon. Claridiana and Mizaldus are arrested in each other’s house; appalled at the thought of being cuckolded, they both confess to murdering Mendosa. Mendosa in turn tries to save Lady Lentulus’s honour with a false confession that he was attempting to burgle her house. In court, the Duke establishes that Claridiana and Mizaldus are telling incompatible stories about the ‘murder’, and they are sentenced to death in jest; in Mendosa’s case, however, the sentence is genuine. Claridiana and Mizaldus are determined to die until confronted with evidence of their wives’ chastity; with reconciliation comes reprieve.