Early Modern Drama · Character Archetypes

CARDINAL

in The Insatiate Countess — Machin, Lewis; Barkstead, William; Marston, John

Metadata

PlayThe Insatiate Countess
AuthorMachin, Lewis; Barkstead, William; Marston, John
Year (catalogued)1613
First performance1607
Decade1610s
GenreTragedy
Play typeBoys Professional
CompanyChildren of the Queen's Revels (?); Children of the King's Revels (?)
TheaterWhitefriars;Indoor Professional
Speech prefix(es)Card. | Cardin. | Card
Words192
Characters1054
Typicality0.19 (cosine to cluster centroid)
TCP idA07067
BritDrama no.1605
ClusterCluster 10 — Mourners, mothers & doleful voices

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

The Sun setting, a man pointing at it: The Motto, Senso Calarem: Fair Bride, some servant of yours, that here imitates To have felt the heat of Love bred in your brightness, But setting thus from him, by marriage, He only here acknowledgeth your power, And must expect beams of a morrow Sun. The Brides departed, discontent it seems. Madame: to you none other then your dance of death. Good Madame, do not jest away your soul Oh Madame: in your soul have charity. Oh Lady this is but a branch of charity, And ostentation, or a liberal pride: Let me instruct your soul, for that, I fear, Within the painted sepulcher of flesh, Lies in a dead consumption: good Madame, read, gives a book. Yes Madame, in the everlasting world. More then the world sweet Lady, help to save What hand of man, wants power to destroy. Peace: Good my Lord in death do not provoke her. Friar: in Gods name welcome. Roberto ascends to Isabella. Madame, the Castle green. And host of Angels be thy convey hence. Oh Madame: teach your self a better prayer, This is your latest hour.

Plot summary

Plot — The Insatiate Countess
Suitors visit Isabella, who is in open mourning for her dead husband, but secretly glad to be free of his jealousy and restrictions. She accepts Count Roberto’s suit and they are married the following day; but when she dances with Count Rogero in the wedding masque, her affections turn. She woos Rogero by letter and elopes with him to Pavia; Roberto enters holy orders. At Pavia, Rogero is visited by his friend Gniaca; Isabella falls in love with the newcomer, and feigns illness to give herself an opportunity to seduce him. After bedding Gniaca, she then feigns penitence to free herself from Rogero. The spurned lover takes his revenge by circulating bitter satires on Isabella’s promiscuity, so she sets on Gniaca to kill him. In the attempt, Gniaca is reconciled with his former friend, so Isabella seduces Don Sago, colonel in the Spanish power occupying Pavia, to murder both Rogero and Gniaca. Sago kills Rogero, and is arrested, but pardoned by the Duke of Medina. Isabella’s attempt to bribe the Duke fails to secure her freedom, and she is beheaded after a scaffold reconciliation with Roberto. In the sub-plot, the enemies Claridiana and Mizaldus are both married on the same day. They quarrel when they meet, and Mizaldus’s wife Abigail and Lady Lentulus, who are close friends, compare notes and swap places: each receives her own husband in the other’s bedroom. Meanwhile their friends Mendosa and Lady Lentulus, attracted to one another, try to circumvent the latter’s vow not to admit a man through her front door: he climbs up to her window by rope ladder, but falls into the street, where the watch find him injured and send him to a surgeon. Claridiana and Mizaldus are arrested in each other’s house; appalled at the thought of being cuckolded, they both confess to murdering Mendosa. Mendosa in turn tries to save Lady Lentulus’s honour with a false confession that he was attempting to burgle her house. In court, the Duke establishes that Claridiana and Mizaldus are telling incompatible stories about the ‘murder’, and they are sentenced to death in jest; in Mendosa’s case, however, the sentence is genuine. Claridiana and Mizaldus are determined to die until confronted with evidence of their wives’ chastity; with reconciliation comes reprieve.