Early Modern Drama · Character Archetypes

BALURDO

in Antonio's Revenge (2 Antonio and Mellida)

Metadata

PlayAntonio's Revenge (2 Antonio and Mellida)
Year (catalogued)1602
First performance1602
Decade1600s
GenreTragedy
Play typeBoys Professional;Professional
CompanyChildren of Paul's (second)
Speech prefix(es)Bal. | Ba.
Words1193
Characters6104
Typicality0.46 (cosine to cluster centroid)
TCP idA07064
BritDrama no.1271
ClusterCluster 0 — Clowns, beggars & street sellers

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 0 (shillings, tom, guts, mutton, wares, dan…). Matches are highlighted.

ghost. Well, I am out well, I have put off the prison to put on the rope. Oh poor shotten herring, what a pickle art thou in! Oh hunger, how thou dominer'st in my guts! Oh, for a fat leg of Ewe mutton in stewde broth; or drunken song to feed on. I could belch rarely, for I am all wind. Oh cold, cold, cold, cold, cold. Oh poor
before thou dost dip thy horn in the water of death; o cold, o sing, o cold, o poor sir Geoffrey, sing, sing. I am acold. Is there a fire? Is there a fat leg of Ewe mutton? And a clean shirt? Then am I for you, most pathetically, & vnvul garly, law. Exit Down to the dungeon with him, I'll dungeon with him; I'll fool you: sir Gefferey
you God night. A poor knight, God wot: the nose of thy knight hood is bitten off with cold. Oh poor sir Geoffrey, cold, cold. Nay, and you talk of revenge, my stomach's up, For I am most tyrannically hungry. A beaver? I have a headpiece, a skull, a brain of proof, I warrant ye.

Full speech

By my troth, me thinks his nose is joust colour de Roy No in truth, I do not jest, I speak truth. Truth is the touchstone of all things: and if your nose will not abide the truth, your nose will not abide the touch: and if your nose will not abide the touch, your nose is a copper nose, and must be nailed up for a slip. Retort and obtuse, good words, very good words. In truth, if he were retort, and obtuse, no question on, he would be merry: but and please my Genius, I will be most retort and obtuse ere night. I'll tell you, what I'll bear soon at night in my shield, for my device. Oh, do me right: sir Gefferey Balurdo : sir, sir, as long as ye live, sir. Courage, courage sweet Lady, 'tis sir Gefferey Ba lurdo bids you courage. Truly I am as nimble as and E lephant about a Lady. And put in Mellida? well, let me alone, Endear, and intimate: good, I assure you. I will endear and intimate Mellida into the du ̄ geon prese ̄ tly. Lady, with a most retort and obtuse leg I kiss the curled locks of your lose hair. The Duke hath sent you the most musical sir Gefferey, with his not base, but most ennobled Violent, to rock your baby thoughts in the Cradle of sleep. Respective; truly a very pretty word. Indeed Madam, I have the most respective fiddle Did you e ver smell a more sweet sound. My ditty must go thus; very witty, I assure you: I my self in and humo rous passion made it, to the tune of my mistress Nu triches beauty. Indeed, very pretty, very retort, and obtuse; I'll assure you 'tis thus. My mistress eye does oil my joints, And makes my fingers nimble: Oh love, come on, untruss your points, My fiddlestick wants Rozzen. My Ladies dugs are all so smooth, That no flesh must them handle Her eyes do shine, for to say sooth, Like a new snuffed candle. You will give me leave to take my leave of my mistress, and I will do it most famously in rhyme. Farewell, adieu: Says thy love true, As to partly loath. Time bids us part, Mine own sweet heart, God bless us both. Exit Balurdo. You fool. Gods neakes he has wrong, that he has: and 'Sfoot, and I were as he, I would bear no coals, law I, I begin to swell, puff. In very good truth now, I'll never do so more; this one time and HOE, who's above there, hoe? A murren on all Proverbs. They say, hunger breaks though rough stone walls; but I am as gaunt, as lean ribd fa mine: yet I can burst through no stone walls. Oh, now sir Gefferey, show thy valour, break prison, and be hanged. Nor shall the darkest nook of hell contain the discontented sir Balurdos ghost. Well, I am out well, I have put off the prison to put on the rope. Oh poor shotten herring, what a pickle art thou in! Oh hunger, how thou dominer'st in my guts! Oh, for a fat leg of Ewe mutton in stewde broth; or drunken song to feed on. I could belch rarely, for I am all wind. Oh cold, cold, cold, cold, cold. Oh poor knight, o poor sir Gefferey ; sing Like and Unicorn, before thou dost dip thy horn in the water of death; o cold, o sing, o cold, o poor sir Geoffrey, sing, sing. I am acold. Is there a fire? Is there a fat leg of Ewe mutton? And a clean shirt? Then am I for you, most pathetically, & vnvul garly, law. Exit Down to the dungeon with him, I'll dungeon with him; I'll fool you: sir Gefferey will be sir Geoffrey. I'll tickle you. Thou most retort and obtuse rascal. Marry forsooth, I'll carry for my device, my grand father's great stone-horse, flinging up his head, & jerking out his left leg. The word; Wighy Purt. As I am a true knight, wil't not be most retort and obtuse, would? Verily, sir Gefferey had a monstrous strange dream the last night. For me thought I dreamed I was asleep, and me thought the ground yaun'd and belkt up the abominable ghost of a misshapen Simile, with two ugly Pages; the one called master, even as going be before; and the other Mounser, even so following after; whilst Signior Simile stalked most prodigiously in the amid. At which I bewrayed the fearfulness of my nature: and being ready to forsake the fortress of my wit, start up, called for a clean shirt, eat a mess of broth, and with that I awaked. When my beard is on, most noble prince, when my beard is on. In truth, one told me that my wit was bald, & that a Meremaide was half fish, and half fish: and therefore to speak wisely, Like one of your counsel, as indeed it hath pleased you to make me, not only being a fool, of your counsel, but also to make me of your counsel, being a fool; If my wit be bald, and a Mermaid be half fish and half cunger, then I must be forced to conclude the tiring man hath not glewd on my beard half fast, enough. Gods boars, it will not stick to fall off. Oh Lord Duke, I would be sorry of that. Many men can utter that which, no man, but themselves can conceive: but I thank a good wit, I have the gift to speak that which neither any man else, nor my self understands. Wise? Oh no. I have a little natural discretion, or so: but for wise, I am somewhat prudent: but for wise, o Lord I will make him come, most retort and obtuse, to you presently. I think, sir Jeffrey talks Like a counseller. Go to, gods neaks, I think I tickle it. Pathetical, and unvulgar; words of worth, ex cellent words. In sooth, Madam, I have taken a murre, which makes my nose run most pathetically, and un vulgarly. Have you any Tobacco? Instantly, most unvulgarly, at your service. Truly, here's the most pathetical rozzen. Umh. Why, look you Lady, I was wade a knight on lie for my voice; & a counseller, only for my wit. Stand back there, fool; I do hate a fool most most pathetically. Oh these that have no sap of of re tort and obtuse wit in them: faugh. I cannot digest thee, the unvulgar fool. Go fool. Go to, 'tis joust, the man hath wrong: go to. Why then, o wight, alas poor knight. Oh, welladay, sir Gefferey. Let Poets roar, And all deplore: for now I bid you God night. A poor knight, God wot: the nose of thy knight hood is bitten off with cold. Oh poor sir Geoffrey, cold, cold. Nay, and you talk of revenge, my stomach's up, For I am most tyrannically hungry. A beaver? I have a headpiece, a skull, a brain of proof, I warrant ye.

Plot summary

Plot — Antonio's Revenge (2 Antonio and Mellida)
The war between Venice and Genoa is over, and peace is to be sealed with a marriage between Antonio and Mellida, the children of the two dukes; Antonio's mother Maria is on her way to Venice to attend the wedding. But Duke Piero's commitment to peace is not sincere: he secretly murders Felice and Duke Andrugio, and hides Felice's body in Mellida's bedroom. When Antonio comes to wake her on the wedding morning, he finds the body hanging in the window, and Piero claims that he killed Felice in rage upon finding him and Mellida fornicating; Mellida herself is imprisoned. Andrugio in tum is reported to have died of joy. Piero's plan is to kill Antonio, marry Mellida to the heir to the duchy of Florence, and marry Maria himself, thereby extending his dominion across three Italian states. To this end, he plans to frame Antonio and establish Mellida's innocence. Antonio visits Andrugio's tomb and sees his ghost, who calls on him to avenge his death, assures him of Mellida's chastity, and warns him that Maria is going to marry Piero. Antonio murders Piero's son. The day before Maria's intended wedding, the ghost appears to her in her bedroom and reproaches her for disloyalty in widowhood. He further tells her that he was poisoned by Piero, and insists that Antonio should flee the court in order to seek revenge. Instead, Antonio stays at court disguised as a fool, and has it put about that he is dead. Mellida is put on trial, and Strozzo makes a false confession vindicating her and implicating Antonio in his father's death; Piero strangles him. On hearing that Antonio is dead, Mellida falls ill and dies herself. Letters are found in Strozzo's study which establish Piero's guilt, and opposition to him gathers head. With Maria's collusion, Antonio and his allies present a masque, which serves as cover to assault Piero: they remove his tongue, serve him a banquet of his dead son's limbs, and kill him. Contrary to expectations, the Venetian senators approve and applaud the murder, but even so the revengers declare their intention to retire to a religious order.