Early Modern Drama · Character Archetypes

GAVESTON

in Edward the Second — Marlowe, Christopher

Metadata

PlayEdward the Second
AuthorMarlowe, Christopher
Year (catalogued)1594
First performance1592
Decade1590s
GenreHistory
Play typeAdult Professional
CompanyPembroke's Men
Speech prefix(es)Gau. | Gauest. | Gaue.
Words1022
Characters5332
Typicality0.45 (cosine to cluster centroid)
TCP idA07018
BritDrama no.927
ClusterCluster 9 — Boon companions & bluff banter

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

I, I, these words of his move me as much, As if a Goose should play the Porpintine, And dart her plumes, thinking to pierce my breast, But yet it is no pain to speak men fair, I'll flatter these, and make them live in hope: You know that I came lately out of France, And yet I have not viewed my Lord the king, If I speed well, isle entertain you all. I can no longer keep me from my lord. And since I went from hence, no soul in hell Hath felt more torment then poor Gaveston. Edmund the mighty prince of Lancaster, That hath more earldoms then and ass can bear, And both the Mortimers two goodly men, With Guy of Warwick that redoubted knight, Are gone towards Lambeth, there let them remain. No, threaten not my lord, but pay them home. Were I a king. My lord I hear it whispered every where, That I am banishd, and must fly the land. To go from hence, grieves not poor Gaveston, But to forsake you, in whose gracious looks The blessedness of Gaveston remains, For no where else seeks he felicity. I shall be found, and then 'twill grieve me more. For every look, my lord drops down a tear, Seeing I must go, do not renew my sorrow. The peers will frown. On Mortimer, with whom ungentle Queen, I say no more, judge you the rest my lord. I mean not so, your grace must pardon me. Madam, 'tis you that rob me of my lord. Sweet Lord and King, your speech preventeth mine, Yet have I words left to express my joy: The sheepeherd nipped with biting winter's rage, Frolicks not more to see the painted spring, Then I do to behold your Majesty. My Lord I cannot brook these injuries. Base leaden Earls that glory in your birth, Go fit at home and eat your tenants beef: And come not here to scoff at Gaveston, Whose mounting thoughts did never creep so low, As to bestow a look on such as you. The life of thee shall salve this foul disgrace. My lord, dissemble with her, speak her fair. Why do you not commit him to the tower? Why then weel have him privily made away. I my lord, his name is Spencer, he is well allied, For my sake let him wait upon your grace, Scarce shall you find a man of more desert. I know my lord, many will stomach me, But I respect neither their love nor hate. Oh stay my lord, they will not injure you. Farewell my Lord. Yet lusty lords I have escaped your hands, Your threats, your larums, and your hight pursuits, And though deuorsed from king Edwards eyes, Yet lives Pierce of Gaveston unsurprised, Breathing, in hope ( malgrado all your beards, That muster rebels thus against your king) To see his royal sovereign once again. My Lord. I thank you all my lords, then I perceive, That heading is one, and hanging is the other, And death is all. Renowned Edward, how thy name Revives poor Gaveston. Sweet sovereign, yet I come To see thee ere I die. Unhappy Gaveston, whither goest thou now. Weaponless must I fallen and die in bans, Oh must this day be perjod of my life! Centre of all my bliss, and ye be men, Speed to the king. Treacherous earl, shall I not see the king? What canst thou do? But I have no horses. What art thou? Let me see, thou wouldst do well To wait at my trencher, & tell me lies at dinner time, And as I Like your discoursing, isle have you. And what art thou? Why there are hospitals for such as you, I have no war, and therefore sir be gone. I have some business, leave me to my self. Do: these are not men for me, I must have wanton Poets, pleasant wits, Musicians, that with touching of a string May draw the pliant king which way I please: Music and poetry is his delight, Therefore isle have Italian masks by night, Sweet speeches, comedies, and pleasing shows, And in the day when he shall walk abroad, Like Silvian Nymph's my pages shall be clad, My men Like Satires grazing on the lawns, Shall with their Goat feet dance and antic hay, Sometime a lovely boy in Dians shape, With hair that gilds the water as it glides, Crownets of pearl about his naked arms, And in his sportful hands and Olive tree, To hide those parts which men delight to see, Shall bath him in a spring, and there hard by, One Like Actaeon peeping through the grove, Shall by the angry goddess be transformde, And running in the likeness of and Heart, By yelping hounds pulled down, and seem to die, Such things as these best please his majesty. My lord, here comes the king and the nobles From the parliament, isle stand aside. That Earl of Lancaster do I abhor. That villain Mortimer isle be his death. Mort. dieu. Well done, Ned. My lord, these titles far exceed my worth. 'Tis something to be pitied of a king. Why my Lord of Warwick, Will not these delays beget my Hope's? I know it lords, it is this life you aim at, Yet grant king Edward this. It shall suffice me to enjoy your love, Which while I have, I think my self as great, As Caesar riding in the Roman street, With captive kings at his triumphant Car. 'Tis true, and but for reverence of these robes, Thou shouldst not plod one foot beyond this place. Saving your reverence, you must pardon me. Let him complain unto the sea of hell, I'll be revenged on him for my exile. He shall to prison, and there die in bolts. What should a priest do with so fair a house? A prison may be seem his holiness. Is all my hope turned to this hell of grief. How meanest thou Mortimer? that is over base. Oh treacherous Warwick thus to wrong thy friend!

Plot summary

Plot — Edward the Second
GavestGn, banished by KangpyBdwardl is recalled to England on the accession of BdWardllll. His presence exacerbates tension between the King and barons, but Edward gives him multiple offices of state. Together they assault the BiSHOplomi@oventry, whose title also goes to Gaveston. The nobles and church contrive the minion’s banishment, but QWeenilsabella, neglected by Edward, arranges his reprieve in the hope of winning favour. King and barons make their peace and Lord MOrtimier, leaving for war in Scotland, advises his nephew to tolerate Edward’s love for Gaveston. The King’s preoccupation with his minion leads him to neglect public affairs, jeopardizing the political and economic stability of the crown: the unpaid army mutinies, rebellion breaks out in Ireland, and English territory is invaded by both Scotland and France. Lord Mortimer is taken prisoner in Scotland, but Edward refuses to ransom him. The barons, now joined by Edward’s brother, the B@gi§6fK@nt, increase the pressure to banish Gaveston again, while Edward begins to suspect Isabella of adultery with the younger Mortimer. Gaveston is captured by the barons. Edward asks to see him one last time; P@mibrOke agrees to conduct Gaveston there and back, but the minion is captured and killed en route by WaRWIEK’s treachery. Isabella and the Prince go to parley with the French King over the invasion of Normandy. The barons demand the removal of the Sp@me@r family, whom Edward has advanced, and battle ensues. The King wins: some barons are executed, and Mortimer is imprisoned. He escapes by drugging his guard, and absconds to France with Kent. He rendezvouses with Isabella, who has failed to gather allies because the Spencers have bribed the French nobility. Both are offered refuge in Hainault. Isabella returns to England in arms, accompanied by Mortimer and the increasingly dubious Kent. Edward flees, taking refuge in an abbey. He is betrayed by a mower, taken prisoner, and forced to give up the crown; his flatterers are executed, and Mortimer becomes Lord Protector. After Kent plots to free Edward, Mortimer has the royal prisoner moved around the country at night in the charge of Maltravers and Gourney; they forcibly shave off his beard to prevent recognition, and keep him in fou] conditions. PRICE EdWard is crowned. Kent is arrested and executed. Lightborne, sent by Mortimer, murders Edward with a hot spit and then is killed himself. Edward III receives news of his father’s death and Mortimer’s…