Early Modern Drama · Character Archetypes

CLITUS

in Campaspe (Alexander, Campaspe, and Diogenes) — Lyly, John

Metadata

PlayCampaspe (Alexander, Campaspe, and Diogenes)
AuthorLyly, John
Year (catalogued)1584
First performance1583
Decade1580s
GenreComedy
Play typeBoys Professional
CompanyChildren of the Chapel (first) (Oxford's Boys)
Theaterbefore the Court;
Speech prefix(es)Clytus | Clitus | Clyt. | Clytus. | Cly.
Words452
Characters2401
Typicality0.35 (cosine to cluster centroid)
TCP idA06583
BritDrama no.746
ClusterCluster 8 — Martial kings & Roman gravity

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

We will make no controversy of that which there ought to be no question, only this shall be the oh pinion of us both, that none was worthy to be the fa there of Alexander but Philip, nor any meet to be the son of Philip but Alexander. Parmenio I cannot tell how it continued ̄ meth to pass, that in Alexander now a days there grows and vnpacie ̄ to kind of life, in the morning he is melam ̄ cholye, at noon solomne, at all times either more Sour or severe, then he was accustomed. Yet between us there can be no danger to find out the cause: for that there is no malice to with stand it. It may be and unquenchable thirst of conque ring makes him unquiet: it is not unlikely his long ease hath altered his humour: that he should be in love, it is not impossible. We hear nothing of our Embassage, a colour belike to blear our eyes, or ticle our ears, or inflame our hearts. But what does Alexander in the mean sea son, but use sor Tantara, Solemnizing. Fa. La. for his harden couch, down beds, for his handful of water, his standing Cup of wine? You mistake me Parmenio, if whilst I come mend Alexander, you imagine I call Phillyp into question on, unless happily you conjecture (which none of judge meant will conceive) that because I Like the fruit, there before I heave at the tree, or coveting to kiss the child, I therefore go about to poison the teat. We are ready at all commands, wishing no thing else, but continually to be commanded. Cease Permenio, least in speaking what become meth thee not, thou feel what liketh thee not: truth is never without a scratched face, whose tongue although it cannot be cut out, yet must it be tied up. P Armenio, I cannot tell whither I should more commend in Alex anders victories, courage, or cur tesie, in the one being a resolution on without fear, in the other a liberality above custo ̄ e: Thebes is raised, the people not racked, towers thrown down, bodies not thrust aside, a continued ̄ quest without conflict, and a cruel war in a mild peace. Alexander as he tendereth virtue, so he will you, he drinketh not blood, but thirsteth after honour, he is greedy of victory, but never satisfied with mercy. In fight terrible, as becometh a captain, in Conquest mild, as beseems a king. In all things then which no thing can be greater he is Alexander. Like your majesty they are prisoners, & of Thebes. I know not, but they seem to be Ladies of honour.

Plot summary

Plot — Campaspe (Alexander, Campaspe, and Diogenes)
King Alexander has conquered Thebes and brought its captives to Athens, where he means to spend a peaceful interlude with the philosophers. Mo~t 1.:on 1 e and debate for him, but Diogenes churlishly refu:;t:"s to comply. Alexander becomes enamoured of Campaspe, and has her painted by Apelles, who himself falls in love with her. Knowing he must not challenge Alexander in love, he creates an excuse to see her again by blemishing the painting so that a second sitting is needed. Diogenes sends his servant to draw a crowd with a report that he will fly, but it is only a pretext to rail at them. Using a false report of a fire in Apelles' shop, Alexander tricks the painter into revealing his feelings for Campaspe, and, establishing that she reciprocates them, graciously withdraws his suit and allows them to marry. Having subdued his own amorous feelings, he will now go to war with Persia and conquer the world.