in The Maid's Tragedy — Beaumont, Francis; Fletcher, John
Metadata
Play
The Maid's Tragedy
Author
Beaumont, Francis; Fletcher, John
Year (catalogued)
1619
First performance
1610
Decade
1610s
Genre
Tragedy
Play type
Adult Professional
Company
King's Men
Theater
Blackfriars;Indoor Professional
Speech prefix(es)
LIS. | Lys. | LYS. | Lisip. | Lys
Words
561
Characters
2947
Typicality
0.36 (cosine to cluster centroid)
TCP id
A06289
BritDrama no.
1650
Cluster
Cluster 8 — Martial kings & Roman gravity
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
Strato thou hast some skill in poetry, What thinkest thou of a mask, will it be well? As masks can be. Noble Melantius, Enter Melantius the land by me welcomes thy virtues home, thou that with blows abroad bringest us our peace at home, the breath of Kings is Like the breath of gods, my brother wished thee here, and thou art here, he will be kind; and weary thee with often welcome, but the time does give thee a well come, above his, or all the world. 'Tis most true Mell ntius, He might not come till the solemnities Of this great match were passed. We have a mask to night, And you must tread a soldiers measure. You are mistaken sir, she is not married. A Lady sir, That bears the light above her, and strikes dead With flashes of her eye, the fair Evadne Your virtuous sister. The King my brother did it To honour you, and these solemnities Are at his charge. Oh t'were pity, for this Lady sir, Sits discontented with her watery eyes bent on the ear In unfrequented woods are her delight, Where when she sees a bank stuck full of flowers, Then she will fit, and sighs, and tell Her servants, what a Pretty place it were To bury lovers in, and make her maids Pluck'em, and strow them over her Like a corpse, She carries with her and infectious grief, That strikes all her beholders, she will sing The mourn ulst things that ever ear hath herd, And swoon, and sing again, and when the r st Of your young Ladies in their wanton blood, Tell mirthful tales in course that fills the room With laughter, she will with so sad a look Bring forth a story of the silent death Of some forsaken virgin, which her grief Will put in such a phrase, that ere she end Shee'le send them weeping one by one away. We are gone, Cleon, Strato, Diphilus. You'll let her take more, &c thank her too shortly. Where the body? Farewell thou worthy man, there were two bonds That tied our loves, a brother and a King, The least of which might fetch a flood of tears: But such the misery of greatness is, They have no time to mourn, then pardon me. Sirs, which way went she? Enter Strato. I would I were not: follow all, for this must have a sudden stop. Exeunt. See where he stands as boldly confident, As if he had his full command about him. 'Tis my fear too, Heaven forgive all: summon him Lord Cleon. Melantius. I am sorry that we meet thus, our old love Never required such distance, pray to heaven You have not left your self, and sought this safety More out of fear then honour, you have lost A noble master, which your faith, Melantius, I'm sure might have preserved. Melantius, write in that thy choice, My seal is at it. Away, away. Exeunt omnes. Where Amintor? How strange is this? So let them, theres time enough. Stop him. Look to him though, and bear those bodies in May this a fair example be me. To rule with temper, for on lu f ll Kings Unlooked for sudden death's from God are sent, But cursed is he that is their instrument. Gentlemen I am your King.
Plot summary
Plot — The Maid's Tragedy
At: the King’s request, Al@minf6f breaks off his engagement to his fiancée AlSpatia and instead marries Evadne) sister of his friend Melantius. After a wedding masque, Evadne prepares for bed. When Amintor arrives, however, she refuses him sex and explains that she is the King’s mistress: the marriage has been arranged as a cover for their continuing relationship, and to provide a nominal father for any bastards that may result; it will never be consummated. Amintor is unable to satisfy his impulse to take revenge, because his wronger is the King, but on learning the truth, Melantius has no similar scruples. A successful rebellion depends upon control of the city’s: defensive fort, but this is in the hands of Melantius’ enemy, ASpatia’sifathier Caliana who partly blames Melantius for the way Aspatia has been treated. Melantius asks Calianax to hand over the fort, knowing this will be reported to the King; but when the King confronts him with the accusation, his bare-faced denial. discredits Calianax and makes the accusation look like senile malice. Calianax is sent away from court and sees no option but to give Melantius the fort after all. M@@lantivis]? threat of violence secures a confession from Bya@méj and she agrees to join the conspiracy. Summoned by the King that night, Evadne ties him to the bed and kills him when he wakes. Melantius retreats to the fort and agrees to come out only once the mew King has granted him a pardon on his own terms. The despairing AlSpatia dresses as a man, visits Amintor, and provokes a fight in which she allows him to give her a fatal wound. Evadne comes to tell Amintor what she has done, but kills herself when he rejects her. On learning that he has killed AlSpatia, the grieving AIMEE takes his own life. Finding him dying, MGIEHTUS too tries to kill himself; he is prevented, but declares his intention to starve himself to death.