Early Modern Drama · Character Archetypes

PROLOGUE

in The Knight of the Burning Pestle — Beaumont, Francis

Metadata

PlayThe Knight of the Burning Pestle
AuthorBeaumont, Francis
Year (catalogued)1613
First performance1607
Decade1610s
GenreComedy
Play typeBoys Professional; Adult Professional
CompanyChildren of the Queen's Revels
Speech prefix(es)Pro. | Prol.
Words221
Characters1111
Typicality0.39 (cosine to cluster centroid)
TCP idA06252
BritDrama no.1562
ClusterCluster 3 — Citizens, tradesfolk & neighbors

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

What do you mean sir? Are you a member of the noble City? And a Freeman? So Grocer, then by your sweet favour, we intend no abuse to the City. Why what do you say to the life and death of fat Drake, or the repairing of Fleet-privies? O you should have told us your mind a month since, our play is ready to begin now. What will you have him do? He shall have a suit of apparel if he will go in. But what will you have it called? Me thinks The Knight of the burning Pestle were better. I pray you do. Shawnes? no. So you are Like to be. You shall have them: will you fit down then? From all that's near the Court, from all that's great. Within the compass of the City-walls, We now have brought our Scene: fly far from hence All private taxes, immodest phrases, What ere may but show Like vicious: For wicked mirth never true pleasure brings, But honest minds are pleased with honest things. Thus much for that we do: but for Rafes partly You must answer for your self. You seem to be and understanding man: what would you have us do sir? But sir, we have never a boy to play him, every one hath a partly already.

Plot summary

Plot — The Knight of the Burning Pestle
At the theatre, a citizen and his wife object to the satirical subject matter of the play, The London Merchant: they insist on a more romantic offering starring their apprentice, Rafe, as a heroic grocer. The boy actors do their best to provide this within the play they have rehearsed. In the play, Luce prefers her father Venturewell’s apprentice Jasper to his chosen son-in-law, Humphrey; so Venturewell discharges Jasper, and he goes home to a family impoverished by the irresponsible merriment of his father, Old Merrythought. His mother, who 1607 favours his younger brother Michael, insists that he be paid his inheritance and sent out into the world. Several of the characters go to Waltham Forest. Luce elopes with Humphrey, intending to meet Jasper there. Rafe the grocer, a voluminous reader of chivalric romance, becomes the Knight of the Burning Pestle and leaves in search of heroic deeds. He scares Mistress Merrythought, who leaves behind her jewels. These are found and taken away by Jasper, who then meets the eloping couple, beats Humphrey, and takes Luce. In the audience, the citizen and his wife take Jasper to be the villain and Humphrey the hero; they demand that Rafe return to fight Jasper, but Jasper beats him. Notified by Humphrey, Venturewell confronts Jasper’s father, but is offended by his refusal to take the matter seriously. Jasper tests Luce’s love by threatening her with violence. She accepts her fate, but Humphrey and her father seize her before he can admit he was only pretending. Rafe stays at the Bell inn, but cannot understand that he must pay for its hospitality. (The citizen settles the bill for him.) The host sends him to fight the giant Barbaroso, better known as Nick the barber, who has imprisoned many knights and ladies — actually clients and venereal disease patients. Rafe defeats the ‘giant’ and releases the ‘knights’. The citizens then have a scene inserted in which he meets a foreign king’s daughter, but refuses her offer oflove. Later interpolated scenes show Rafe as the city’s May Lord, and mustering troops at Mile End. Venturewell incarcerates Luce in her room, but Jasper gains access by pretending to be dead: Venturewell accedes to a request that his body should be brought to Luce, and then has the coffin sent on to Old Merrythought, unaware that Luce has taken Jasper’s place inside. Left behind in Luce’s room, Jasper appears to Venturewell in ghostly guise and instructs him to repent, compensate Old Merrythought for his…