Early Modern Drama · Character Archetypes

LUCE

in The Knight of the Burning Pestle — Beaumont, Francis

Metadata

PlayThe Knight of the Burning Pestle
AuthorBeaumont, Francis
Year (catalogued)1613
First performance1607
Decade1610s
GenreComedy
Play typeBoys Professional; Adult Professional
CompanyChildren of the Queen's Revels
Speech prefix(es)Luce. | Luce | Lu.
Words1125
Characters5769
Typicality0.58 (cosine to cluster centroid)
TCP idA06252
BritDrama no.1562
ClusterCluster 5 — Romantic leads (high style)

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Why, how now friend, struck with my father's thun der? But mine. Oh fear me not, In this I dare be better then a woman. Nor shall his anger, nor his offers move me, Were they both equal to a Princes power. Yes and love him dearly Even as I love and ague, or foul weather, I prithee Jasper fear him not. Yes, and will perform My partly exactly. I take it, He must do miracles makes me forsake it. Sir, these are quickly answered. What makes you think of that sir? Your game sir. Beshrew me sir, I am sorry for your losses, But as the proverb says, I cannot cry, I would you had not seen me. Why, cannot this strange passion be withstood, Send for a Constable and raise the Town. Beshrew me sir, 'twere good I yielded then, Weak women cannot hope, where valiant men Have no resistance. Well sir, I take them kindly, and I thank you, What would you more? Why then farewell. Speak and declare your mind in terms so brief. Alas good Gentleman, alas the day. Now by S. Marry That were great pity. Why sir, you know my will is nothing worth Without my father's grant, get his consent, And then you may with assurance try me. Sweet Master Humfrey then I am content. Yet take me with you, There is another clause must be annexed, And this it is, I swore and will perform it; No man shall ever joy me as his wife But he that stole me hence, if you dare venture I am yours; you needs not fear, my father loves you, If not farewell for ever. I am satisfied, And so I give my hand, our course must lie Through Uvaltham Forest, where I have a friend Will entertain us, so farewell sir Humfrey, And think upon your business. Oh fear not Master Humphrey, I am guide For this place good enough. Faith and you say the word we'll e'ne fit down And take a nap. You're merry Master Humphrey. Your nurse had the less labour. Here Jasper. Alas poor Burgundy Get thee some wholesome broth with sage and comfrie: A little oil of Roses and a feather, To noint thy back withal. Farewell my pretty Nump, I am very sorry I cannot bear thee company. No my best friend, I cannot either fear, Or entertain a weary thought, while you (The end of all my full desires) stand by me. Let them that lose their Hope's, and live to languish Amongst the number of forsaken lovers, Tell the long weary steps, and number time, Start at a shadow, and shrink up their blood, While I (possessed with all content and quiet) Thus take my pretty love, and thus embrace him. I cannot sleep, Indeed I cannot friend. Il'e sing, or say, or any thing but sleep. You mock me Jasper. It's a lightning from above, It's and arrow, it's a fire, It's a boy they call desire. It's a smile Does beguile Some love change, and so do you. Yes, when men turn with the wind. Ever towards, Those that love, to love a new. I am very heavy. Why do you fright me, friend, With those distempered looks? what makes your sword Drawn in your hand? who hath offended you? I pre'chee Jasper sleep, thou art wild with watching. O Jasper! How have my tender years committed evil, (Especially against the man I love) Thus to be cropped untimely? O Jasper! be not cruel, If thou wilt kill me, mile and do it quickly. And let not many death's appear before me. I am a woman made of fear and love, A weak, weak woman, kill not with thy eyes, They shoot me through and through. Strike I am ready, And dying still I love thee. If there be any punishment inflicted Upon the miserable, more then yet I feel, Let it together cease me, and at once Press down my soul, I cannot bear the pain Of these delaying tortures: thou than art The end of all, and the sweet rest of all; Come, come o death, bring me to thy peace, And blot out all the memory I nourish Both of my father and my cruel friend. Oh wretched maid still living to be wretched, To be a say to fortune in her changes, And grow to number times and woes together, How happy had I be, if being born My graven had be my cradle? For me I hoped it's come, and it's most welcome. He shall have many: Good friends depart a little, while I take My leave of this dead man, that once I loved: Hold, yet a little, life and then I give thee To thy first heavenly being; Oh my friend! Hast thou deceived me thus, and God before me? I shall not long be after, but believe me, Thou Wertenberg too cruel Jasper gainst thy self, In punishing the fault, I could have pardoned, With so untimely death; thou didst not wrong me, But ever were't most kind, most true, most loving; And I the most unkind, most false, most cruel. Didst thou but ask a tear? Il'e give thee all, Even all my eyes can pour down, all my sigh's And all my self, before thou goest from me There are but sparing rites: But if thy soul Be yet about this place, and can behold And see what I prepare to deck thee with, It shall go up, born on the wings of peace And satisfied: first will I sing thy dirge, Then kiss thy pale lips, and then die my self, And fill one Coffin and one graven together. Come you whose loves are dead, And while I sing Weep and wring Every hand and every head, Bind with Cipres and sad Ewe, Ribbons black, and candles blue, For him that was of men most true. Come with heavy mourning, And on his graven Let him have Sacrifice of sighs and groaning, Let him have fair flowers enough, White and purple, green and yellow, For him that was of men most true. Thou sable cloth, said cover of my joys I lift thee up, and thus I meet with death. Save me heaven. Oh thou deer shadow of my friend. This death I'll give you for it, So, now I am satisfied: you are no spirit, But my own truest, truest, truest friend, Why do you come thus to me. It cannot be, For I am locked up here and watched at all hours, That it's impossible for me to escape. Good M r . Merry-thought let me entreat you, I will not be denied. Called you sir?

Plot summary

Plot — The Knight of the Burning Pestle
At the theatre, a citizen and his wife object to the satirical subject matter of the play, The London Merchant: they insist on a more romantic offering starring their apprentice, Rafe, as a heroic grocer. The boy actors do their best to provide this within the play they have rehearsed. In the play, Luce prefers her father Venturewell’s apprentice Jasper to his chosen son-in-law, Humphrey; so Venturewell discharges Jasper, and he goes home to a family impoverished by the irresponsible merriment of his father, Old Merrythought. His mother, who 1607 favours his younger brother Michael, insists that he be paid his inheritance and sent out into the world. Several of the characters go to Waltham Forest. Luce elopes with Humphrey, intending to meet Jasper there. Rafe the grocer, a voluminous reader of chivalric romance, becomes the Knight of the Burning Pestle and leaves in search of heroic deeds. He scares Mistress Merrythought, who leaves behind her jewels. These are found and taken away by Jasper, who then meets the eloping couple, beats Humphrey, and takes Luce. In the audience, the citizen and his wife take Jasper to be the villain and Humphrey the hero; they demand that Rafe return to fight Jasper, but Jasper beats him. Notified by Humphrey, Venturewell confronts Jasper’s father, but is offended by his refusal to take the matter seriously. Jasper tests Luce’s love by threatening her with violence. She accepts her fate, but Humphrey and her father seize her before he can admit he was only pretending. Rafe stays at the Bell inn, but cannot understand that he must pay for its hospitality. (The citizen settles the bill for him.) The host sends him to fight the giant Barbaroso, better known as Nick the barber, who has imprisoned many knights and ladies — actually clients and venereal disease patients. Rafe defeats the ‘giant’ and releases the ‘knights’. The citizens then have a scene inserted in which he meets a foreign king’s daughter, but refuses her offer oflove. Later interpolated scenes show Rafe as the city’s May Lord, and mustering troops at Mile End. Venturewell incarcerates Luce in her room, but Jasper gains access by pretending to be dead: Venturewell accedes to a request that his body should be brought to Luce, and then has the coffin sent on to Old Merrythought, unaware that Luce has taken Jasper’s place inside. Left behind in Luce’s room, Jasper appears to Venturewell in ghostly guise and instructs him to repent, compensate Old Merrythought for his…