Early Modern Drama · Character Archetypes

HORATIO

in The Spanish Tragedy (Hieronimo is Mad Again) — Kyd, Thomas

Metadata

PlayThe Spanish Tragedy (Hieronimo is Mad Again)
AuthorKyd, Thomas
Year (catalogued)1592
First performance1587
Decade1590s
GenreTragedy
Play typeAdult Professional
CompanyUnknown
Speech prefix(es)Hor.
Words702
Characters3820
Typicality0.34 (cosine to cluster centroid)
TCP idA04942
BritDrama no.783
ClusterCluster 24 — Gods, cupids & celestial agents

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

To me my Sovereign. But first my lance did put him from his horse. But first I forced him lay his weapons down, Nor I, although I fit beside my right. For love of him and service to your self, I nill refuse this heavy doleful charge. Yet tears and sighs, I fear will hinder me. When both our Armies were enjoined in fight. Your worthy chevalier amid the thikst, For glorious cause still aiming at the fairest, Was at the last by young Done Balthazar, Encountered hand to hand: their fight was long, Their hearts were great, their clamours menacing, Their strength alike, their strokes both dangerous. But wrathful Nemesis that wicked power, Envying at Andreas praise and worth, Cut short his life to end his praise and Worth. She, she her self disguised in armours mask, (As Pallas was before proud Pergamus: ) Brought in a fresh supply of Halberdiers, Which pauncht his horse and dingd him to the ground, Then young Done Balthazar with ruthless rage, Taking advantage of his foes distress, Did finish what his Halberdiers begun, And left not till Andreas life was done. Then though too late incensed with joust remorse, I with my band set foe that against the Prince, And brought him prisoner from his Halberdiers. No, that was it for which I chiefly strou , Nor stepped I back till I recovered him: I took him up and wound him in mine arms. And welding him unto my private tent, There laid him down and dewd him with my tears, And sighed and sorrowed as became a friend. But neither friendly sorrow, sighs nor tears, Could win pale death from his usurped right. Yet this I did and less I could not do: I saw him honoured with endue funeral, This scarf I plucked from off his lifeless arm, And wear it in remembrance of my friend. And (Madame) Done Horatio will not slack, Humbly to serve fair Bel-imperia. But now if your good liking stand thereto, e crave your pardon to go seek the Prince, For so the Duke your father gave me charge. Madame, your Glove. I reaped more grace then I deserved or hoped. The King my Lords is coming hither straight, To feast the Portugal Ambassador, Things were in readiness before I came. Now Madame, since by favour of your love, Our hidden smoke is turned to open flame: And that with looks and words we feed our though Two chief contents, where more cannot be had. Thus in the amid of loves fair blandishments, Why show you sign of inward lan guishments. The less I speak, the more I meditate. On dangers passed, and pleasures to ensue. Dangers of war, and pleasures of our love. But gracious Madame, then appoint the field, Where trial of this war shall first be made. But honey sweet, and honourable love. Return we now into your father's sighed, Dangerous suspicion waits on our delight. Now that the night begins with sable wings, To overcloud the brightness of the Sun, And that in darkness pleasures may be done: Come Bel-imperia let us to the bower, And there in safety pass a pleasant hour. Why, make you doubt of Pedringanos faith? What means my love? Sweet say not so, fair fortune is our friend, And heavens have shut up day to pleasure us. The stars thou seest hold back their twinkling shine, And Luna hides her self to pleasure us. The more thou sittest within these leafy bowers, The more will Flora deck it with her flowers. Hark Madame how the birds record by night, For joy that Bel-imperia sits in sighed. If Cupid sing, then Venus is nor far, I thou art Venus or some fairer star. Then thus begin our wars put forth thy hand, That it may combat with my ruder hand. But first my looks shall combat against thine. Thus I retort the dart thou threw stat me. Nay then my arms are large and strong with Thus Elms by vines are compassed till they fallen. Oh stay a while and I will die with thee, So shalt thou yield, and yet have conquered me. What will you murder me?

Plot summary

Plot — The Spanish Tragedy (Hieronimo is Mad Again)
Don Andrea) Beleimiperia’s secret lover, was separated from her by the war with Portugal and killed in battle by Baltazar Now the powers of hell have promised him vengeance, and he and R@Véfige sit down to watch it worked out in the play. In the course of the action Andrea expresses mounting impatience, while Revenge makes him wait, sleeps, and finally takes control of the action. Spain wins the war and Portugal agrees to pay tribute. Balthazar has been taken prisoner, and is committed to DGFSHZO!s custody. BElAImperia is wooed by Balthazar, and the King plans to settle the succession on their issue, thereby uniting Spain and Portugal. But Bel-Imperia cannot accept her dead love's killer, and opts for MGFatiG instead. Lorenzo learns of this by suborning her servant Pédfingafio, who then assists him and Balthazar in murdering MOratio! Miéroninie finds his son’s body hanging in his arbour and swears revenge, but his wife counsels patience while heaven puts matters right. In Portugal, Willipps falsely accuses AUSXandrS of murdering Balthazar in battle. At the last moment Alexandro is saved from burning at the stake by the arrival of the Ambassador from Spain with news that Balthazar is alive. Alexandro is released and Wiliippo condemned. Béleimpera is imprisoned by DGFeHZ6) but writes Hieronimo a letter in her own blood. Fearing a trap, Hieronimo investigates, but his suspicions alert Lorenzo. PR@HigaHG is persuaded to murder his accomplice]/Sérbenine] on promise of a pardon; but the box supposedly containing it is empty, and Pedritigane’s confident jesting on the gallows ends with his execution. An incriminating letter found on his body confirms the guilt of Lorenzo and Balthazar, but HigfonimiG is so far unhinged by grief that Lorenzo finds it easy to prevent him informing the King; his mental state also inhibits him from the efficient discharge of his judicial responsibilities. ISB@lla also goes mad and cuts down the arbour before killing herself, but Hieronimo rejects suicide, preferring revenge. Beleimperia is now to marry Balthazar, and the Micero6yMicomes from Portugal. for the ceremony. HieronimiG organizes his revenge under the pretext of the entertainment: a tragedy of SHISHA and PERSeda} in which he and Bel-Imperia kill Lorenzo and Balthazar ===== PAGE 372 ===== in earnest. Bél@lmipéria kills herself, and MieronimG bites out his tongue to avoid interrogation, then stabs the Duke of @aStilé and himself. DOnlNAKGEEd is avenged, and Revenge promises…