Early Modern Drama · Character Archetypes

CLEMATIS

in Rhodon and Iris — Knevet, Ralph

Metadata

PlayRhodon and Iris
AuthorKnevet, Ralph
Year (catalogued)1631
First performance1631
Decade1630s
GenrePastoral
Play typeOccasional
Speech prefix(es)Cle. | Cl.
Words607
Characters3564
Typicality0.44 (cosine to cluster centroid)
TCP idA04896
BritDrama no.2335
ClusterCluster 12 — Wooers, gallants & courtly love-talk

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 12 (signor, sal, zelmane, handkerchief, absolon, dissemble…). Matches are highlighted.

art distilled: She hath Vermilion and Antimony, Ceruse and sublimated Mercury. Waters she hath to make her face to shine; Confections eke to clarify her skin; Lipsalues, and clothes of a pure scarlet die She hath, which to her cheeks she does apply: Ointments wherewith she pargets over her face, And lustrifies her beauty's dying

Full speech

O impotent desires, allay the sad consort Of a sublime Fortune, whose most ambitious flames Disdain to burn in simple Cottages, Loathing a hard unpolished bed; But Coveting to shine beneath a Canopy Of rich Sydonian purple; all embroidered With purest gold, and oriental Pearls; In tesselated pavements, and guilded roofs, Supported by proud artificial Columns, Of polished Ivory and Marble; does love delight There; does he, Like a mighty Tyrant, rage, Subverting the whole edifice of reason With his impetuous conflagration: That this is true, the gentle Shepherdess Fair Eglantine does evidently show: For she, a sister to the great Cynosbatus, Was Courted lately by the Shepherd Rhodon: Whose suit she entertained with endue respect, Requiting love with love: but Fate (it seems) Not condescending that great Hymen should Accomplish their desires; forbade the Banes, And Rhodon hath relinquished his suit; And is returned to Hybla sweet; whose flowery vales Began to droop, and wither in his absence. But Eglantine remains disconsolate; Like to a Turtle that hath lost her mate. See where she comes, expressing in her face A perfect Map of melancholy: I will retire, because I well desery, She's out of love with all society. What time shall end thy sorrows, sweetest Eglantine? Thou gentle goddess of the woods & mountains, That in the woods and mountains art adored, The Maiden patroness of chaste desires, Who art for chastity renowned most, Tresgrand Diana, who hast power to cure The rankling wounds of Cupid's golden arrows; Thy precious balsome deign thou to apply, Unto the heart of woeful Eglantine; Then we thy gracious favour will requite With a young Kid, than new fallen snow more white. Nor in her weeds alone is she so nice, But rich perfumes she buys at any price. Storax and Spiknard she burns in her Chamber, And daubs her self with Civit, Musk and Amber. With limbecks, viols, pots, her Closet's filled, Full of strange liquours by rare art distilled: She hath Vermilion and Antimony, Ceruse and sublimated Mercury. Waters she hath to make her face to shine; Confections eke to clarify her skin; Lipsalues, and clothes of a pure scarlet die She hath, which to her cheeks she does apply: Ointments wherewith she pargets over her face, And lustrifies her beauty's dying grace. She waters for the Morphewes does compose, And many other things, as strange as those; Some made of Daffodils, some of lees, Of scarwolfe some, and some of rinds of trees, With Centory, Sour Grapes, and Tarragon, She makes many a strange lotion: Her skin she can both supple and refine, With juice of Lemons and with Turpintine: The marrow of the Hernshaw and the Dear, She takes likewise to make her skin look clear: Sweet waters she distils, which she composes Of flowers of Oranges, Woodbine or Roses: The virtue of Iesmine and three-leaved grass, She does imprison in a brittle glass, With Civet, Musk, and odours far more rare, These liquours sweet incorporated are: Lees she can make which turn a hair that's old Or coloured ill, into a hue of gold. Of horses, bears, cats, camels, conies, snakes, Whale's, Herons, bittours, strange oils she makes, With which dame nature's errors she corrects, Using arts help to supply all defects. She in the milk of Asses baths her skin, As did the beautiful Poppea, when She tempted Nero to forsake the bed Of great Octavia, and her self to wed. Out you prattling Parachito, Come you hither to abuse me. Take this for your pains. Skippiake tell what you can, I weight not this, I'll make you know that you have done amiss.

Plot summary

Plot — Rhodon and Iris
: Aiming to sow dissension among the flowers, Poneria and Agnostus disguise themselves as a virtuous maiden and a wise man. Rhodon has recently breken off his suit to Eglantine, and is now expected to marry Iris. His sister Violetta appeals to him for help against the marauding Martagon, who has trampled on her flowers and forced her to live away from her home. Martagon conspires with Eglantine’s brother to forestall Rhodon’s match with Iris. The jilted Eglantine grows melancholy, but Poneria stops her killing herself and gets her to tart herself up for an assignation with Rhodon. It becomes clear that Martagon has no intention of making restitution to Violetta, so Rhodon will have to take him on by force: a floral war seems inevitable. Iris gives Rhodon a gern which makes the wearer victorious in battle; Violetta gives him a lettuce which guarantees sustenance and prevents poisoning. Martagon suborns Poneria to kill Rhodon, so she gives Eglantine a poison, telling her it is a love-philtre. Posing as Iris, Eglantine gives it to him, claiming it to be a restorative, and expects him to fall in love with her. Instead. he falls iJ, but is cured by the vegetable antidote from his sister. _ 2335. Rhodon and Iris | 499 Rhodon challenges. Martagon to single combat, but. he refuses: the full armies will settle it. Realizing that, since Rhodon is alive, Poneria’s plot has miscarried, Martagon orders her out-of his territory, so she goes to Rhodon and tells him. that it was Eglantine, not Iris, who gave him the poison. The flower armies get into position for battle, but Flora intervenes and.orders the fighting to stop. Martagon is ordered to make restitution to Violetta, Eglantine is sentenced to ten years’ penance in a vestal temple, Poneria and Agnostus are banished,- and Iris is bestowed on Rhodon as his bride.