Early Modern Drama · Character Archetypes

DWARF

in Chloridia: Rites to Chloris and Her Nymphs — Jonson, Ben

Metadata

PlayChloridia: Rites to Chloris and Her Nymphs
AuthorJonson, Ben
Year (catalogued)1631
First performance1631
Decade1630s
GenreMasque
Play typeOccasional
Theaterbefore the Court;
Speech prefix(es)POSTILION.
Words422
Characters2295
Typicality0.55 (cosine to cluster centroid)
TCP idA04644
BritDrama no.2332
ClusterCluster 11 — Tosspots & tavern railers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Hold my stirrup, my one Lackey; and look to my Curtal, the other: walk him well, Sirrah, while I ex patiate my self here in the report of my office! o the Furies! how I am joyed with the title of it! Postil lion of Hell! yet no Mercury. But a mere Cacodae mon, sent hither with a packet of news! news! never was Hell so furnished of the commodity of news! Love hath been lately there, and so entertained by Pluto, and Proserpine, and all the Grandees of the place as, it is there perpetual Holiday: and a cessation of torment granted, and proclaimed for ever! Half-famished Tantalus is fallen to his fruit, with that appetite, as it threaten's to undo the whole company of Costard mungers, and ha ariuer afore him, running excellent wine lxion is loosed from his wheel, and turned Dancer, does nothing but cut capreols, fetch friskals, and leads Laualtos, with the Lamiae! Sisyphus ha left rolling the stone, and is grown a M r . bowler; challenges all the prime gamesters, Parsons in hell, and gives them odds: upon Tityus his breast, that (for fix of the nine aeres) is counted the subtlest bowling-ground in all Tartary. All the Furies are at a game called nine pins, or keilles, made of old usurers bones, and their souls looking on with delight, and betting on the game. Never was there such freedom of sport. Danaus daughters have broke their bottomless tubs, and made bonfires of them. All is turned triumph there. Had hell gates been kept with half that strictness as the entry here ha been to night, Pluto would have had but a colam Court, & Proserpine a thin presence, though both have a vast territory We had such a stir to get in, I and my Curtal, and my two Lackeys all ventured through the eye of a Spanish needle, we had never come in else, & that was by the fa vour of one of the guard who was a woman's-tailor, and held open the passage. Cupid by commission hath carried Iealoufie from Hell, Disdain, Fear, and Dissimula cion, with other Goblins, to trouble the Gods. And I am sent after post, to raise Tempest, Winds, Lightnings, Thunder, Rain, and Snow, for some new exploit they have against the Earth, and the Goddess Chloris, Queen of the flowers, and Mistress of the Spring. For joy of which I will return to my self, mount my Bidet, in a dance; and corvet upon my Curtal.

Plot summary

Plot — Chloridia: Rites to Chloris and Her Nymphs
The gods have decreed that heaven and earth shall love one another; in order to facilitate this, earth as well as heaven is to have stars, which will be spring flowers. Cupid, offended at being excluded from the gods’ council on account of his minority, travels to Hell to make trouble. There his arrival warrants a holiday: the damned rejoice, freed from their perpetual torments, while Cupid releases troublesome goblins and sends a messenger to attack Spring with bad weather. Tempest ensues. Juno calms the storm and brings the spring: Chloris is revealed in her bower with her nymphs, and dancing ensues. The disruptive forces flee back to Hell, and Cupid sues for pardon. Fame ascends to heaven with attendants representing the collaboration of the verbal and visual arts, leaving Chloris on earth as the guardian of spring. Further dancing ensues. 1631