Early Modern Drama · Character Archetypes

AETHIOPIA

in The Masque of Blackness (The Twelfth Night's Revels) — Jonson, Ben

Metadata

PlayThe Masque of Blackness (The Twelfth Night's Revels)
AuthorJonson, Ben
Year (catalogued)1608
First performance1605
Decade1600s
GenreMasque
Play typeOccasional
Theaterbefore the Court;Whitehall;
Speech prefix(es)AETHIOPIA.
Words431
Characters2467
Typicality0.23 (cosine to cluster centroid)
TCP idA04643.1
BritDrama no.1453
ClusterCluster 2 — Allegory, Nature & pageant voices

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

NIGER, be glad: Resume thy native cheer. Thy Daughters labors have their perjod here, And so thy errors. I was that bright Face Reflected by the Lake, in which thy Raze Read mystic lines; (which skill PITHAGORAS First taught to men, by a reverberate glass) This blessed Isle does with that TANIA end, Which there they saw inscribed, and shall extend Wished satisfaction to their best desires. BRITANIA, which the triple world admires, This Isle hath now recovered for her name; Where reign those Beauty's, that with so much fame The sacred MUSES Sons have honoured, And from bright HESPERUS to EOUS spread. With that great name BRITANIA, this blessed Isle Hath won her ancient dignity, and style, A World, divided from the world: and tried The abstract of it, in his general pride. For were the World, with all his wealth, a Ring, BRITANIA (whose new name makes all tongues sing) Might be a Diamant worthy to enchase it, Ruled by a SUN, that to this height does grace it: Whose Beams shine day, and night, and are of force To Blanch and AETHIOPE, and revive a Cor's. His light sciential is, and (passed mere nature) Can salve the rude defects of every creature. Call forth thy honoured Daughters, then; And let them, before the Britain men, Indent the Land, with those pure traces They flow with, in their native graces. Invite them, boldly, to the shore, Their Beauty's shall be scorched no more: This Sun is temperate, and refines All things, on which his radiance shines. I Nough, bright Nymphs, the night grows old, And we are grieved, we can not hold You longer light: But comfort take. Your Father, only, to the Lake Shall make return: Your selves with feasts, Must here remain the Ocean's guests. Nor shall this vail, the Sun hath cast Above your blood, more Summer's last. For which, you shall observe these rites. Thirteen times thrice, on thirteen nights, (So often as I fill my Sphere With glorious light, throughout the year) You shall (when all things else do sleep Save your chased thoughts) with reverence, steep Your bodies in that purer brine, And wholesome Due called Rosmarine: Then with that soft, and gentler foam, Of which the Ocean, yet, yields some, Whereof bright Venus, Beauty's Queen, Is said to have begotten been, You shall your gentler limbs over-lave, And for your pains, perfection have. So that, this night, the year gone round, You do again salute this ground; And, in the beams of yonder bright Sun, Your faces dry, and all is done.

Plot summary

Plot — The Masque of Blackness (The Twelfth Night's Revels)
Black is beautiful, argues the river Niger, bringing his dusky daughters to visit Oceanus. They are distressed by the poetic convention which asserts otherwise, and their tears have so swelled the river that it has become geographically displaced. A prophecy by the moon goc::ldess Aethiopia has led them to seek a land where a light greater than the sun will make all things beautiful. They have accordingly come to Britain, where the King's refulgence will turn them white. Dancing ensues . .The travellers are called back to the sea, but only Niger returns home: his daughters are to remain in Britain. Aethiopia gives them some beauty tips and instructs them to return to court in a year's time to be exposed to the beams of Britain's sun king.