Early Modern Drama · Character Archetypes

TATTLE

in The Staple of News — Jonson, Ben

Metadata

PlayThe Staple of News
AuthorJonson, Ben
Year (catalogued)1631
First performance1616
Decade1630s
GenreComedy
Play typeAdult Professional
CompanyKing's Men
Speech prefix(es)TATLE. | TAT.
Words917
Characters4664
Typicality0.41 (cosine to cluster centroid)
TCP idA04633.3
BritDrama no.1810
ClusterCluster 11 — Tosspots & tavern railers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

I cannot abide that nasty fellow, the Beggar, if he had been a Court-Begger in good clothes; a Beggar in velvet, as they say, I could have endured him. I would feign see the Fool, gossip, the Fool is the finest man t'the company, they say, and has all the wit: He is the very Justice of Peace o'the Play, and can cemmit whom he will, and what he will, error, absurdity, as the toy takes him, and no man say, black is his eye, but laugh at him. It's a wise Play, then. My husband, ( Timothy Tatle, God rest his poor soul) was wont to say, there was no Play without a Fool, and a Devil in't; he was for the Devil still God bless him. The Devil for his money, would he say, I would feign see the Devil. And why would you so feign see the Devil? would I say. Because he has horns, wife, and may be a cuckold, as well as a Devil, he would answer: You are even such another, husband, quoth I. Was the Devil ever married? where do you read, the Di ll was ever so honourable to commit Matrimony; The Play will tell us, that, says he, wee'll go see't to morrow, the Devil is and Ass. He is and errant learned man, that made it, and can write, they say, and I am foully deceived, but he can read too. Oh, it was, Mistress — Oh, but the poor man had God a shrewd mischance, one day. He had dressed a Rogue Jade i'the morning, that had the Stag gers, and had God such a spice of them himself, by noon, as they would not away all the Play time, do what he could, for his heart. Say you so, I understood not so much. But here is never a Fiend to carry him away. Beside, he has never a wooden dagger! I'd not give a rush for a Vice, that has not a wooden dagger to snap at every body he meets. By Lady but he should not to mine, I would harken, and harken, and censure, if I saw cause, for th'other Princess sake Pokahon tas, surnamed the blessed, whom he has abused indeed (and I do censure him, and will censure him) to say she came forth of a Tavern, was said Like a paltry Poet. When it is churned, and dish't, we shall hear of it. He has rich ingredients in him, I warrant you, if they were ex tracted, a true receipt to make and Alderman, and he were well wrought upon, according to Art. Why? This was the worst of all! the Catastrophe! Marry, I would have the old conicatcher cozened of all he has, i'the young heirs defence, by his learned counsel, M r Picklock! In a word, they were beastly buttered! he shall never come of my bred more, nor my in mouth, if I can help it. I have had better news from the bakehouse, by ten thousand parts, in a morning: or the conduicts in Westminster! all the news of Tutle -street, and both the Alm'ries ! the two Sanctuaries long, and round Wool-staple ! with Kings -street, and Canon -row to boot! Why, I had it from my maid Joan Hearsay: and she had it from a limb o'the school, she says, a little limb of nine year old; who told her, the Master left out his conjuring book one day, and he found it, and so the Fable came about. But whither it were true, or no, we Gossips are bound to believe it, an't be once out, and a foot: how should we entertain the time else, or find our selves in fashionable discourse, for all companies, if we do not credit all, and make more of it, in the reporting? Like enough, for he had the chiefest partly in his play, if you mark it. I, but set a beggar on horseback, hee'll never linne till he be a gallop. And showed her to them all! was not jealous! Erect a College! As the Doctors? I would have flyen in his gypsies face faith. No, I would have Master Pyed-mantle, her Graces He rald, to pluck down his hatchments, reverse his coat-armour, and nul lifie him for no Gentleman. And us too Non-solvent— Subsigned. Tatle, Stay, they come again. He comes out in the patchd cloak his father left him. N Ay, they are fit, as they had been made for me, And I am now a thing, worth looking at! The same, I said I would be in the morning. No Rogue, at a Comitia of the Canters, Did ever there become his Parents Robes Better, then I do these: great fool! and beggar! Why do not all that are of those societies, Come forth, and gratulate me one of theirs? Me thinks, I should be, on every side, saluted, Dauphin of beggars! Prince of Prodigals! That have so fallen under the ears, and eyes, And tongues of all, the fable o'the time, Matter of scorn, and mark of reprehension! I now begin to see my vanity, Shine in this Glass, reflected by the foil! Where is my Fashioner? my Featherman? My Linnener? Perfumer? Barber? all? That tail of Riot, followed me this morning? Not one! but a dark solitude about me, Worthy my cloak, and patches; as I had The epidemical disease upon me: And I'll fit down with it.

Plot summary

Plot — The Staple of News
. _ Pug the junior devil is keen to visit earth. Satan svarns him that his ideas of effective devilment are half a century out of date, but grants him leave to spend the day in London, made flesh and subject to all the frailties and limitations of the human body. A ready-made body is available, in the shape of a recently hanged cutpurse, but Pug will have to make his own arrangements for clothes. Another proviso is that he must serve the first man he meets. Unfortunately for Pug, he turns out to be a twit: Fabian Fitzdottrel. Fitzdottrel longs to see the devil, and agrees to accept Pug as an unpaid servant because he gives his mame as Devil. The same obsession makes Fitzdottrel eager to see a new play, The Devil is an Ass, but he needs some finery to show off as he sits on the stage. Wittipol is eager to sleep with Fitzdottrel’s wife, and offers him a suitable cloak in exchange for fifteen minutes’ uninterrupted conversation with the lady. He uses the time to proposition her, and engages her interest even though she has been forbidden to reply. Fitzdottrel is introduced to Merecraft, a purveyor of imaginative financial schemes, who offers to make him rich and a duke through land reclamation in the eastern fens. Fitzdottrel agrees to meet with him, leaving Pug to ensure that nobody attempts to visit his wife. Pug instead brings her a follow-up message from Wittipol, then makes advances to her on his own account, but is caught by Fitzdottrel and gets a beating. Wittipol’s friend Manly has a room which abuts Mistress Fitzdottrel’s gallery, which he uses to have a second meeting with her. This is much more intimate than the first, despite being conducted through the windows of adjacent buildings. Pug gets back into favour by tipping off Fitzdottrel, who puts a stop to the assignation and threatens to take up another woman to share his expectations and be his Duchess. Merecraft suggests that what Fitzdottrel’s wife needs is to be taught proper manners, and recommends a widow who knows the ways of the Spanish court, who might be persuaded to undertake the task if sent an expensive ring as a gift, and who is entirely fictitious. His accomplice Engine proposes hiring an actor to impersonate her, but Merecraft worries that his business methods might be leaked to a playwright and end up on stage; in the event, Engine finds a gentleman to take on the role instead, who happens to be Wittipol. Fitzdottrel cannot get his wife to part with a ring of her own, so…