in Cynthia's Revels, or The Fountain of Self-Love — Jonson, Ben
Metadata
Play
Cynthia's Revels, or The Fountain of Self-Love
Author
Jonson, Ben
Year (catalogued)
1640
First performance
1600
Decade
1640s
Genre
Satire
Play type
Boys Professional
Company
Children of the Chapel (second)
Speech prefix(es)
PHI.
Words
1051
Characters
5474
Typicality
0.34 (cosine to cluster centroid)
TCP id
A04632.3
BritDrama no.
1269
Cluster
Cluster 13 — Attendant courtiers & citizens
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
Faith, how liked you my quip to HEDON, about the garter? was't not witty? And did I not dance movingly the last night? Nay, that's mine own from any Nymph in the court (I am sure on't) therefore you mistake me in that, Guardian: both the swim and the trip , are properly mine, every body will affirm it, that has any judge meant in dancing: I assure you. I, good PHANTASTE: What! have you changed your head-tire? I'll be sworn, this is most excellent for the device, and rare. It's after the Italian print, we looked on tother night. And yet we cannot have a new peculiar court-tire, but these re tainers will have it; these Suburbe-sunday-waiters ; these courtiers for high days ; I know not what I should call them— 'Tis very clear, and well, believe me. But if you had seen mine yesterday, when was young, you would have— who's your Doctor, PHANTASTE? For heavens sake, his name; good, deer PHANTASTE — Nor I, I'll be sworn: The very mention of it sets my lips in a worse heat, then if he had sprinkled them with MERCURY. Reach me the glass, sirrah. Yes, a little, Guardian. Is't not quaint? Tut, let him be what he will, it's and animal I dream not of. This tire (me thinks) makes me look very ingeniously, quick, and spiri ted, I should be some LAURA, or some DELIA, me thinks. For CUPIDS sake, speak no more of him; would I might ne ver dare to look in a mirror again, if I respect ere a marmaset of them all, otherwise, then I would a feather, or my shittle-cock, to make sport with, now and then. Oh, fie on him, he looks Like a venetian trumpeter, in the bat tail of Lepanto , in the gallery yonder; and speaks to the tune of a con trey lady, that comes ever in the rearward, or train of a fashion. I, and he has a very imperfect face. His hand's too great too, by at least a straws breadth A long heel? Out upon him: turn to another of the pictures, for loves sake. What says ARGVRION? whom does she commend, afore the rest? How now, ARGVRION? And then his several colours he wears; wherein he flourish eth changeably, every day. Why, she dotes more palpably upon him, then ere his father did upon her. Say you so? me thinks, he looks Like a tailor already. The very marchpane of the court, I warrant you? Troth, the very same I am. Only I would wish my self a lit tle more command, and sovereignty; that all the court were subject to my absolute beck, and all things in it depending on my look; as if there were no other heaven, but in my smile, nor other hell, but in my frown; that I might send for any man I list, and have his head cut off, when I have done with him; or made and eunuch , if he denied me: and if I saw a bet ter face then mine own, I might have my doctor to poison it. What would you wish, PHANTASTE? You needs not fear, sir, I did of purpose humble my self a gainst your coming, to decline the pride of my ambition. That were the next way to distitle my self of honour. Oh, no, rather be still ambitious , I pray you. Gods my life, how he doe's all to be qualify her! ingenious, acute, and polite? as if there were not others in place as ingenious, acute, and polite, as she. For sports sake, let's have some riddles , or purposes ; hough. Prophecies? we cannot all fit in at them; we shall make a con fusion. No; what called you that we had in the forenoon? I, that, who begins? But do not you change, then? Popular. Popular. Marry, that is, when they are not content to be generally noted in court, but will press forth on common stages, and brokers stalls, to the public view of the world. Nay, do not rack us thus? I, good PHANTASTE, let's have that: Distribute the places. A few heat drops, and a months mirth. A few heat drops, and a months mirth followed. In good faith, these unhappy pages would be whipped, for stay king thus. PHANTASTE! ARGVRION! what? you are suddenly struck, me thinks! for loves sake let's have some music, till they come. Ambition , reach the lyram , I pray you. Come, AMORPHUS, cheer up PHANTASTE. I, good Ambition. Oh , That joy so soon should waste! or so sweet a bliss as a kiss, Might not for ever last! So sugared, so melting, so soft, so delicious, The Due that lies on roses, When the morn her self descloses, is not so precious. Oh, rather then I would it smother, Were I to taste such another; It should be my wishing That I might die kissing. But, how does this draw on the ditty, sir? Good AMORPHUS, let's hear it sing. And me too, in troth, I Like it exceedingly. No, in faith, but there's my glove for a favour. Oh, that we had five, or six bottles more of this liquour. Let her go, I pray you, good lady Sobriety, I am glad we are rid of her. Oh, she is the extraction of a dozen of Puritans, for a look. I wonder, how CYNTHIA can affect her so above the rest! Here be they are every way as fair as she, and a thought fairer, I trow. Would I were dead, if I would change to be CYNTHIA. What's the ceremony? Troth, and so we may, if we handle them well. Peace. Oh, he is a well-spoken gentleman. Very good. Believe it, he is a man of excellent silence. Peace; Let's see the Monsieur's Accost: Rare! And excellent offer! See, the French prepares it richly. What says my good Ambition? Why, I take the french -behaved gentleman. Why, the Monsieur but dallies with him. Oh brave, and spirited! He's a right Jovialist. No, no: AMORPHUS gravity outways it. With all my heart, come, Guardian Resign your place. Better be alone, sir; then ill-accompanied. You play too rough, gentlemen. Two lips wagging.
Plot summary
Plot — Cynthia's Revels, or The Fountain of Self-Love
Cynthia proclaims a revels at which all are welcome. Mercury and Cupid, who is usually banned from her court, go disguised as pages. Resurrected by Mercury, Echo curses the fountain beside which Narcissus died, so that all who drink of it will be afflicted with self-love. Amorphus does so and reports its wonders, so that the water is much in demand. He undertakes to make Asotus, a citizen’s heir, into a courtier, and gives him intensive training in courtly behaviour and the practice of wooing, but Asotus’ plebeian tastes keep betraying him. While the court ladies impatiently await the arrival of the fountain-water, Asotus courts his father’s old love, Argurion. He accepts her gifts, but then gives them away to the other courtiers in an effort to ingratiate himself. Argurion faints, then transfers her affections to the page Morus. The water arrives and is eagerly consumed. Arete brings the courtiers Cynthia’s instructions that they are to prepare an entertainment for her that evening. They 1600 suggest a masque, but are offended when Arete decides to ask the scholar Criticus to write it: they will only be the performers. Cynthia makes her appearance, and the masque is performed: Anteros (played by Cupid ) introduces four virgins, and a page ( played by. Mercury ) introduces four brothers, all of them representing virtues associated with Cynthia. Cupid attermpts to make the masquers fall in love with one another, but his arrows cannot counteract the influence of the fountain- water. The revels ended, Cynthia is annoyed to find that the masquers are people who are not usually welcome in her court, and calls them to account for. usurpin Zz virtues they do not have in their own persons. Criticus sentences them to sing a palinode, and to wash off their self-love in Helicon, the well of knowledge. B-Text Asotus is to prove his skill as a courtier on: the evening of the masque, by challenging all comers to compete with him in courtly behaviour. Mercury persuades Crites to accept the challenge, to punish him and his associates for bringing the name of courtier into disrepute. Posing as a courtly Frenchman, Mercury competes with Amorphus and defeats him. Crites continually bests Asotus until he withdraws from the contest, unable to go on. _