Early Modern Drama · Character Archetypes

JACK

in Cynthia's Revels, or The Fountain of Self-Love — Jonson, Ben

Metadata

PlayCynthia's Revels, or The Fountain of Self-Love
AuthorJonson, Ben
Year (catalogued)1640
First performance1600
Decade1640s
GenreSatire
Play typeBoys Professional
CompanyChildren of the Chapel (second)
Speech prefix(es)2.
Words553
Characters2911
Typicality0.36 (cosine to cluster centroid)
TCP idA04632.3
BritDrama no.1269
ClusterCluster 0 — Clowns, beggars & street sellers

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 0 (shillings, tom, guts, mutton, wares, dan…). Matches are highlighted.

our Author, by attur ney, you may, sir: our proper self here, stands for him. So, sir, this is all the reformation you seek? Yes, where any such ill-habited custom is received. Good, sir, but what will you say now, if a Poet (untouched with any breath of this disease) find the tokens upon you, that are of the auditory? As

Full speech

Marry that you shall not speak the Prologue , sir. I, and I think I have most right to it: I am sure I studied it first. Faith, I dare tempt my fortune in a greater venture then this. Which cut shall speak it? A spite of all mischievous luck! I was once plucking at the other. By no means. Come, leave at last, yet. Come, we'll have no more of this anticipation: to give them the inventory of their cates aforehand, were the discipline of a tavern, and not fitting this presence. Lend it him, lend it him. Yes: and I step forth Like one of the children, and ask you, Would you have a stool, sir? I, sir, if yowl give me six pence, I'll fetch you one. Oh lord, sir! will you betray your ignorance so much? why throne your self in state on the stage, as other gentlemen use, sir. T'is a sign, sir, you put not that confidence in your good clothes, and your better face, that a gentleman should do, sir. But I pray you sir, let me be a suitor to you, that you will quit our stage then, and take a place, the play is instantly to begin. Not this way, I assure you, sir: we are not so officiously befrien dead by him, as to have his presence in the tiring house, to prompt us a loud, stamp at the book-holder, swear for our properties, curse the poor tireman, rail the music out of tune, and sweat for every veni all trespass we commit, as some Author would, if he had such fine en gles as we. Well, 'tis but our hard fortune. Not I, sir, but if you please to confer with our Author, by attur ney, you may, sir: our proper self here, stands for him. So, sir, this is all the reformation you seek? Yes, where any such ill-habited custom is received. Good, sir, but what will you say now, if a Poet (untouched with any breath of this disease) find the tokens upon you, that are of the auditory? As some one ciuet-wit among you, that knows no other learning, then the price of satin and vellets; nor other perfection, then the wearing of a neat suit; and yet will censure as desperately as the most professed cri tique in the house: presuming, his clothes should bear him out in't. Anon there (whom it hath pleased nature to furnish with more beard, then brain) prunes his mustaccio, lisps, and (with some score of affected oaths) swears down all that fit about him; That the old Hieronimo, (as it was first acted) was the only best, and judiciously pend play of Europe. A third great bellied juggler talks of twenty years since, and when MONSIEUR was here, and would enforce all wits to be of that fashion, because his dou blet is still so. A fourth miscalls all by the name of fustian, that his groun dead capacity cannot aspire to. A fifth, only shakes his bottlehead, and out of his corky brain, squeezeth out a pitiful-learned face, and is silent. Tut, fear not, child, this will never distaste a true sense: Be not out, and good enough. I would thou hadst some sugar-candied, to sweeten thy mouth. Who goes there?

Plot summary

Plot — Cynthia's Revels, or The Fountain of Self-Love
Cynthia proclaims a revels at which all are welcome. Mercury and Cupid, who is usually banned from her court, go disguised as pages. Resurrected by Mercury, Echo curses the fountain beside which Narcissus died, so that all who drink of it will be afflicted with self-love. Amorphus does so and reports its wonders, so that the water is much in demand. He undertakes to make Asotus, a citizen’s heir, into a courtier, and gives him intensive training in courtly behaviour and the practice of wooing, but Asotus’ plebeian tastes keep betraying him. While the court ladies impatiently await the arrival of the fountain-water, Asotus courts his father’s old love, Argurion. He accepts her gifts, but then gives them away to the other courtiers in an effort to ingratiate himself. Argurion faints, then transfers her affections to the page Morus. The water arrives and is eagerly consumed. Arete brings the courtiers Cynthia’s instructions that they are to prepare an entertainment for her that evening. They 1600 suggest a masque, but are offended when Arete decides to ask the scholar Criticus to write it: they will only be the performers. Cynthia makes her appearance, and the masque is performed: Anteros (played by Cupid ) introduces four virgins, and a page ( played by. Mercury ) introduces four brothers, all of them representing virtues associated with Cynthia. Cupid attermpts to make the masquers fall in love with one another, but his arrows cannot counteract the influence of the fountain- water. The revels ended, Cynthia is annoyed to find that the masquers are people who are not usually welcome in her court, and calls them to account for. usurpin Zz virtues they do not have in their own persons. Criticus sentences them to sing a palinode, and to wash off their self-love in Helicon, the well of knowledge. B-Text Asotus is to prove his skill as a courtier on: the evening of the masque, by challenging all comers to compete with him in courtly behaviour. Mercury persuades Crites to accept the challenge, to punish him and his associates for bringing the name of courtier into disrepute. Posing as a courtly Frenchman, Mercury competes with Amorphus and defeats him. Crites continually bests Asotus until he withdraws from the contest, unable to go on. _