in Adrasta, or The Woman's Spleen and Love's Conquest — Jones, John
Metadata
Play
Adrasta, or The Woman's Spleen and Love's Conquest
Author
Jones, John
Year (catalogued)
1635
First performance
1635
Decade
1630s
Genre
Tragicomedy
Play type
Closet/Unacted
Speech prefix(es)
Prol.
Words
176
Characters
904
Typicality
0.36 (cosine to cluster centroid)
TCP id
A04604
BritDrama no.
2488
Cluster
Cluster 7 — Pedants, satyrs & Latin wit
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
The fault was yours sir, that would so carelessly fit in his way, that was to do his partly by you; though we hope to run over some before we have ended; and yet without any Cyni call observation, especially of the wise. Faith sir you must know, that the giddy looseness of vicious humours, does so rankle in most parts of our time's im posthum'd gallantry, that 'tis a hard thing Satyram non scribe re: and therefore we are desirous to lance it a little, and give the soar and issue, that vanity seeing the foulness of the mat ter which made it swell to such a seeming greatness, may loathe it self, and seek a cure for the disease. Troth it is true sir, I'll put him in mind of it. Sir in our Authors name I thank you: and would you but please to speak with him your self— I should have opened the Argument of our Play, but stumbling on this stranger, makes me doubtful what we shall have — howsoever —
Plot summary
Plot — Adrasta, or The Woman's Spleen and Love's Conquest
Adrasta, Duchess of Florence, objects to the amours between her son Lucilio and Althea, a woman of lower rank. She forges a letter from Lucilio to Althea which describes a plan to murder the Duke; Althea’s reply provides evidence to have her arrested for treason. Lucilio visits her in prison, convinces her that the original letter was a fake, and arranges her escape. Dressed in women’s clothes, he takes her place in the cell, stands trial as her, and is sentenced to death. The substitution is discovered only just before the execution; Lucilio attempts to kill himself anyway, but is prevented by his friend Antonio. He leaves Florence, fearful of his parents’ reprisals, and asks Antonio to assume his name and go to Greece, hoping that his father’s agents will follow this false trail and so leave him in peace. Worried that he may yet take his own life, Antonio passes on the responsibility to the villainous servant Alastor, and shadowys Lucilio in disguise. Consulted by Adrasta, the witch Micale conjures up spirits, who locate Althea living as a shepherdess in the mountains and supply poison to dispose of her. Micale is magically transported there and tries to share food with her, but Althea is melancholy and only her friend Camilla will drink the poisoned wine. Micale’s second strategy entails getting her to despair and kill herself, so she claims that both Lucilio and Althea’s mother Julia have been executed. Camilla dies, and Althea covers her face with a scarf she was given by Lucilio. Shepherds find and bury her body, and show the scarf to Antonio, who infers that the dead girl is Althea and duly notifies Julia. Julia blames Lucilio for her daughter’s death and hires Assassino to murder him. Assassino tracks Lucilio to the port where he is about to take ship for Greece, not knowing it is really Alastor whom he is following; he kills the supposed Prince and disposes of the body in the sea, but is arrested and sent back to Florence for trial. The corpse is later recovered, but is so decomposed that only the clothes are identifiable. Assassino confesses, and implicates Julia in the hope of being spared himself. Antonio offers Julia his help to lie low, but plans to attend Assassino’s execution with her in disguise. Althea goes to the place of execution, intending to throw herself off the rock and be reunited with Lucilio in death; but on the edge she sees the living Lucilio coming with the same intention. They are found together when Assassino is brought…