Early Modern Drama · Character Archetypes

ARMINIO (STEM ARM)

in Adrasta, or The Woman's Spleen and Love's Conquest — Jones, John

Metadata

PlayAdrasta, or The Woman's Spleen and Love's Conquest
AuthorJones, John
Year (catalogued)1635
First performance1635
Decade1630s
GenreTragicomedy
Play typeCloset/Unacted
Speech prefix(es)Armin. | Arm.
Words218
Characters1170
Typicality0.28 (cosine to cluster centroid)
TCP idA04604
BritDrama no.2488
ClusterCluster 10 — Mourners, mothers & doleful voices

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

I do believe you: it's the exercise Of such, only to seem, and to be thought, What they are not, holy. They keep the feast Of our great Pan, with more than needful strictness, And take upon them to be great oath-haters, When all is but dissembling, and their Devotions Like Witches charms, disguised with seeming good To bear out wickedness. Sir, you are welcome, but our sad work is sped alrea die, and so are they for whom we work. One doubtless as unfortunate as unknown, a stran her sure in these parts, and as she seemed, a maid: further parti culars we know not: but pitying she should want a burial, as we came by and saw her dead, we gave her that which earth denies to no misfortune, a poor grave. Our Shepherd's will be frolic then, and loose No Ceremony of their ancient mirth. Why then she's absolutely blessed: Nature has given her and acquittance from the reckonings of fortune and misery. I Laurinda, it travels into all Nations the world over. Yes, we must have a Country Song for her farewell from the earth, and welcome to the earth. Because Sir the bestspeed our labour can have, is the sad end of their life for whom we work. We have buried the dead.

Plot summary

Plot — Adrasta, or The Woman's Spleen and Love's Conquest
Adrasta, Duchess of Florence, objects to the amours between her son Lucilio and Althea, a woman of lower rank. She forges a letter from Lucilio to Althea which describes a plan to murder the Duke; Althea’s reply provides evidence to have her arrested for treason. Lucilio visits her in prison, convinces her that the original letter was a fake, and arranges her escape. Dressed in women’s clothes, he takes her place in the cell, stands trial as her, and is sentenced to death. The substitution is discovered only just before the execution; Lucilio attempts to kill himself anyway, but is prevented by his friend Antonio. He leaves Florence, fearful of his parents’ reprisals, and asks Antonio to assume his name and go to Greece, hoping that his father’s agents will follow this false trail and so leave him in peace. Worried that he may yet take his own life, Antonio passes on the responsibility to the villainous servant Alastor, and shadowys Lucilio in disguise. Consulted by Adrasta, the witch Micale conjures up spirits, who locate Althea living as a shepherdess in the mountains and supply poison to dispose of her. Micale is magically transported there and tries to share food with her, but Althea is melancholy and only her friend Camilla will drink the poisoned wine. Micale’s second strategy entails getting her to despair and kill herself, so she claims that both Lucilio and Althea’s mother Julia have been executed. Camilla dies, and Althea covers her face with a scarf she was given by Lucilio. Shepherds find and bury her body, and show the scarf to Antonio, who infers that the dead girl is Althea and duly notifies Julia. Julia blames Lucilio for her daughter’s death and hires Assassino to murder him. Assassino tracks Lucilio to the port where he is about to take ship for Greece, not knowing it is really Alastor whom he is following; he kills the supposed Prince and disposes of the body in the sea, but is arrested and sent back to Florence for trial. The corpse is later recovered, but is so decomposed that only the clothes are identifiable. Assassino confesses, and implicates Julia in the hope of being spared himself. Antonio offers Julia his help to lie low, but plans to attend Assassino’s execution with her in disguise. Althea goes to the place of execution, intending to throw herself off the rock and be reunited with Lucilio in death; but on the edge she sees the living Lucilio coming with the same intention. They are found together when Assassino is brought…