Early Modern Drama · Character Archetypes

ALASTOR

in Adrasta, or The Woman's Spleen and Love's Conquest — Jones, John

Metadata

PlayAdrasta, or The Woman's Spleen and Love's Conquest
AuthorJones, John
Year (catalogued)1635
First performance1635
Decade1630s
GenreTragicomedy
Play typeCloset/Unacted
Speech prefix(es)Alaſt.
Words779
Characters4116
Typicality0.35 (cosine to cluster centroid)
TCP idA04604
BritDrama no.2488
ClusterCluster 23 — Gulls, fops & laughing-stocks

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

As your own thoughts Madam, I can stick as close to any piece of villainy As a Punk to a Farmers son new gentilize; And when beside so many good angels tempt, They are enough—to make a woman keep counsel. Here's a villainous pitfall to stifle a poor wench in; who can be a beggar, now, that's not afraid to be damned? well, I can no more tell how to thrive without doing villainy, than greatness can without doing injury. Pretty piece of man's flesh I my heart will leap when I see thee come off the Rock Like a Magpie; and I shall wish, for thy sake, that nature had made women a little lighter, all of feathers, that they might have taken hurt by no manner of falling: but pity is a thing clean out of fashion, and the high way to irreparable Beggary; I'll none of it. exit. He did, and does intend to use my help alone in effecting of his project. Sweet villainy, thou art the thrivingst trade under heaven. Exit. Come dispatch, the Duke's at hand. The matter in question is great. They be fools to say so. I, as very a folly as to be virtuous indeed: Dost ima gin 'twill gain any thing but hate? None but such as were predestined never to be great; they be tender conscienced dunces: they never leatn'd Esops Fables. Dost not remember the tale of the Lion that banished all horned beasts from Court? That then the Fox went away as banished too, because if the Lion should say his pricked ears were Horns, what then? She would not have been guilty so soon else: shall a swaggering wench that will take Tobacco eight and forty times in four and twenty hours; talk bawdy as familiar as and Oyster wife; retain seven servants with good backs, and a weak hus band to keep Dogs from door; have no privilege above sum spected virtue? Why what does he teach us? A good Servingmans Tutor was that Poet I warrant him. D'sfoote Sir, your speeches be peremptory. I yield Sir, 'twas a mad partly to venture a painful death for a woman, when a woman will venture nothing, but she'll have pleasure at one end of it, for the life of a man; yet the Dukes Son was not a madman for it. I say you lie — Assassino gives him a blow; D'foote Sir, you will not strike me? Why sir, this is not mine own sword. I thank you sir, for indeed I had a suit to you before. I attend you sir. exeunt. It's strange I hear not from the Prince, nor Antonio, who promised to meet me here, where I have now stayed three days in expectance, and had the wind been fair, must have passed for Greece—Before Heaven it's a gallant thing to be a Lord, if but in name, you shall be so applauded in every vanity, scurrill jest, and impious Actium: A Satin Thersites that stalks among the Peasants Like the Stork that Jupiter sent among the frogs, will so bend and bow to your little Toe, fawn and protest your excel lencies; Si be ructavit—Sirectum minxit — I would I had the faith that some have, I would never be unlorded again. Before Heaven I must begin to fawn, and get my self created: This service done for the Prince is a good step to it. Now Captain, the wind's unconstant still, every where save where to steed us. Indeed their levity has got them now that Simile appropriated. Nay, that's enough faith. As what! Then the Gram ̄ marians methinks did ill to make Ventus of the Masculine Gender. Impossible sir, they couple Genders by Book. Cozenage and dissimulation help me, it's impossible to escape discovering. D'sfoote I must walk stately, look scornfully, talk simply, and be Noble at all points now. But it falls out some thing fortunately to be in the Evening: let him have entrance. As much to them that bring it: how fare our friends at Court? Have you ought to impart that concerns us? Attend us then on the Litto, where I'll presently meet you, and take this soft Evening breath. By Jove methinks I begin to be my Craftsmaster and Lord it handsomely. If it were as easy for a Villain to be a Lord, as a Lord to be a villain, I would write noble instantly: get me a Herald for seven shillings, or a frown to forswear himself, and draw my Pedigree as deep as Romulus. Captain, as the wind serves, either on the Litto, or at my Lodging. exit.

Plot summary

Plot — Adrasta, or The Woman's Spleen and Love's Conquest
Adrasta, Duchess of Florence, objects to the amours between her son Lucilio and Althea, a woman of lower rank. She forges a letter from Lucilio to Althea which describes a plan to murder the Duke; Althea’s reply provides evidence to have her arrested for treason. Lucilio visits her in prison, convinces her that the original letter was a fake, and arranges her escape. Dressed in women’s clothes, he takes her place in the cell, stands trial as her, and is sentenced to death. The substitution is discovered only just before the execution; Lucilio attempts to kill himself anyway, but is prevented by his friend Antonio. He leaves Florence, fearful of his parents’ reprisals, and asks Antonio to assume his name and go to Greece, hoping that his father’s agents will follow this false trail and so leave him in peace. Worried that he may yet take his own life, Antonio passes on the responsibility to the villainous servant Alastor, and shadowys Lucilio in disguise. Consulted by Adrasta, the witch Micale conjures up spirits, who locate Althea living as a shepherdess in the mountains and supply poison to dispose of her. Micale is magically transported there and tries to share food with her, but Althea is melancholy and only her friend Camilla will drink the poisoned wine. Micale’s second strategy entails getting her to despair and kill herself, so she claims that both Lucilio and Althea’s mother Julia have been executed. Camilla dies, and Althea covers her face with a scarf she was given by Lucilio. Shepherds find and bury her body, and show the scarf to Antonio, who infers that the dead girl is Althea and duly notifies Julia. Julia blames Lucilio for her daughter’s death and hires Assassino to murder him. Assassino tracks Lucilio to the port where he is about to take ship for Greece, not knowing it is really Alastor whom he is following; he kills the supposed Prince and disposes of the body in the sea, but is arrested and sent back to Florence for trial. The corpse is later recovered, but is so decomposed that only the clothes are identifiable. Assassino confesses, and implicates Julia in the hope of being spared himself. Antonio offers Julia his help to lie low, but plans to attend Assassino’s execution with her in disguise. Althea goes to the place of execution, intending to throw herself off the rock and be reunited with Lucilio in death; but on the edge she sees the living Lucilio coming with the same intention. They are found together when Assassino is brought…