Early Modern Drama · Character Archetypes

MUSICA

in Technogamia, or The Marriages of the Arts — Holyday, Barten

Metadata

PlayTechnogamia, or The Marriages of the Arts
AuthorHolyday, Barten
Year (catalogued)1618
First performance1618
Decade1610s
GenreAcademic Comedy
Play typeUniversity
Theaterat University;
Speech prefix(es)Muſ. | Muſic. | Muſica.
Words1401
Characters7568
Typicality0.26 (cosine to cluster centroid)
TCP idA03496
BritDrama no.1860
ClusterCluster 16 — Errand servants & brief parts

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 16 (nat, ningle, chould, numps, terry, dery…). Matches are highlighted.

you're deceived, I rather think 'twas a Bagpipe. Why? marry, first understand this reason, and then I'll show you: You know every Art both draws it's imita cion from Nature, and labours to perfect it, which it does by finding comforts to preserve it: Music then at the first was found out as and antidote against grief: and by this
long Neck unto it, and a Windpipe; which when they blue full of wind, and per ceiu'd it gave no found, they cut many holes in the reed to let it out, and then alternately stopping the holes, they found and admirable variety of harmony; and as the holes serve for distinction of notes in a Wind-instrument, so do your frets on a
fa. Alas, it's beyond my remembrance to tell that: only I have herd a certain Philosopher that was in love with Astronomia, bestowed me upon her when I was but a child: but I'm sure she entertains me so well, that I care for no other service now under Heaven, she's a Divine Lady, A Divine Lady, and since my coming thither, she

Full speech

Thats's a question, Sir. Why, for that reason you might have proposed ma nigh more. I, but I must know first; it's a great controversy. Why, that's as hard. What? I but you're deceived, I rather think 'twas a Bagpipe. Why? marry, first understand this reason, and then I'll show you: You know every Art both draws it's imita cion from Nature, and labours to perfect it, which it does by finding comforts to preserve it: Music then at the first was found out as and antidote against grief: and by this means, when men were grieved, they cried O, and there was one Note: then Hey-ho, there were two Notes more. So, when they laughed, they observed three more by Would, would, ho. These being first joined together, and afterwards variously in termixt, were the first harmony in voice; which being repea ted unto grieved minds, were as it were a pretty deluding of their sorrows; and these by observation were afterwards reduced to instrument— Thus, men perceiving that these notes were con ceiu'd in the belly, and afterwards, (as it were) formed in the passage of the throat, sowed Leather in the form of a Belly, or bag; and with a Reed made a long Neck unto it, and a Windpipe; which when they blue full of wind, and per ceiu'd it gave no found, they cut many holes in the reed to let it out, and then alternately stopping the holes, they found and admirable variety of harmony; and as the holes serve for distinction of notes in a Wind-instrument, so do your frets on a String'd-instrument. Why, on this manner: When Triton came to help the gods in the Wars of the Giants, he wanted a weapon, and finding the shell of a Fish, he did blow in't, which yeel dead a most hideous noise: the Giants thinking it had been some terrible beast, fled away affrighted, and since by a per fecting imitation, men have altered both the matter, and the form of that Instrument. Oh Sir, it's your only medicine of the mind. Where is this Sir? in Creet? I, but I have herd, the Cretians are mighty liars. Indeed these three are much about one value. Pray, Medicus, tell me one thing; you're a Physician; I have herd Geographus relate of a place in his Travels, where the people are healed by Music: is that possible? I, this Cure was by the effusion of blood, but they whom Geographus told of, were healed without any such means. Yes faith, and give a reason of the other three cou ples meeting. Nay Choler, thou'lt fret and chafe now — Nay, I believe he'll give incomparable reasons. Let it be a good one, and it shall be for all the rea sons thou shouldst have given. It is not, and yet we see it? — If it had been, It is not, and yet we hear it, I could have given a reasonable conjecture. Why, I could have thought it to be Fame. Pretty, pretty, pretty. Nay what sullenness is this? Prithee tell. What is it? Good Melancholico, what is't? Pish, why then Good blockhead, what is't? In says I will, if you'll tell this first, and swear you will not be angry with him, for throwing you down. I'll tell you in your ear, Melancholico. Why then if you would know, 'twas Phantastes; that had been at the same merrymaking with me. But you'll forgive him I hope now. Well. Now Melancholico, what is't? Come on then. Why and again. And again. Why thus I do, sweet Melancholico, that art no blockhead. Reverend Polites, necessity has imposed a bade mes sage upon me, though unfit: Astronomia is in a trance, and only the Heavens know whither or no she will again reco ver. (I knew it boded no good luck, that all my Lute strings cracked last night of their own accord.) Yes, I think, by this time. Yes, yes; I'm going for Music. Exit Geogra. Ah: these Courtiers are lycourish-lip'd: but I must go fetch the Music, To ra ding de ding, ding de ding, lan, tan dan dido. Exit Musicam. WElcome, welcome, all of you; i'good faith, I'm even young again, to see such a jolly company of my friends together: but, passion of me! why, Oeconoma? Here, Sir, here. Alas, my Mistress! Astronomia sick? then all the Heaven's awry, and my Music's quite out of tune. Exit Musicam. Help, Astronomia falls. Why men, beasts, furies, what do you mean? O, Phlegmatico! thou'rt welcome; but prithee throw away thy pipe; unless 'twere one could make them dance after it, and so cool their fury. Orpheus, they say, by music held beasts by the ears; let Musicam then hold the beastly furies of you, that are now by the ears. Come, come, for shame, be friends; you shall all be friends before you partly. In-faith here's drink to reconcile these furies, if they will? You have spoke truer then you think, for there is a Piper coming after me, and somebody else; they'll be here anon: well, here's to you all then. She drinks. He drinks. Sanguis and Choler shake hands; are you friends? Cheiromantes, they say, you can tell Fortune's; is it true? Let's know all our Fortune's then. Then fare you well; I can stay no longer. What's that to you? Why, because you speak kindly now, and entreat me, I'll show you. Why, thus: my Mistress had been ill a good while, and because I tended her very carefully; she gave me leave to recreate my self to day; and faith I light on merry come pany, where they used these jinglers: and when they had done, they prayed me to carry them home with this bottle of drink. Enough? now I think on't, there's joust enough, there's six pair. Why, I'll play the maid Marian. Nay, prithee be not sullen, good Melancholico. Why then lay one pair aside. Why, Melancholico? Why, now they have put them on. Come prithee, Cheiromantes, slip off thine again and change with him; Melancholico must have his sullen hu mours. So, now we want nothing but the Tabor we talked of: but it's no matter, since he does not come, wee'll sing, and so make music to our selves. Who can tune the Morrice best? O, The hobby horse rushes on them, and throws them all down. here they are both, here they are both. Prithee dance the morrice quietly with us: up, up, ho, and wee'll dance. They , the over them all a e, Music , and runs away with the Ta bourer. No, I must not tell. In-faith I'll have Dancing at my wedding, what ere comes on't. Truly, I think Geographus to be a liberal Gen tleman, and therefore may not consent unto Astrologiam, when she calls him base, yet I think he has some Crotchets now and then of a Traveller: and for Geometres, I take him for a plain Solid fellow: but in my conceit, in his discourse he's somewhat obtuse, blunt, blunt. Indeed I must confess I have more conceit then judgement: But in my fancy, there's Poeta, Poeta and Me lancholico begin to Enter. has more love in's little finger, then both they in their whole bodies. O sir, I see you keep your old Tenor still: you are always Descanting. Sounding your Harmonious virtues, to a Consort of Ladies. Why, there was my Lady, with Astrologiam, and Arithmeticam. A conceit? Well, I can't stay or else I could say more. Why how now Sir? Faith, Poeta, your man looks as if he would fallen in love with me. Fa, la, la, la, la, solemnizing, la, mi, fa. Alas, it's beyond my remembrance to tell that: only I have herd a certain Philosopher that was in love with Astronomia, bestowed me upon her when I was but a child: but I'm sure she entertains me so well, that I care for no other service now under Heaven, she's a Divine Lady, A Divine Lady, and since my coming thither, she has made rare devices, rare devices to cause Harmony: but I must be gone, I can't stay. Fa, la, la, la, la, solemnizing, la, mi, fa. Exit. I'll remember this faith; where are my Bells, and Wast-coats, and Napkins? Well, now fare you well all. Exit Musicam.

Plot summary

Plot — Technogamia, or The Marriages of the Arts
Astronomia has several suitors: Geographus (whom her mother dislikes), Geometres (whom her friends favour), and Poeta (who has recently jilted Historia to pursue her). Against her kinsman Polites’ advice, Historia still wants to marry Poeta, consummating the long-standing association between history and the poetic imagination. Poeta quarrels with Grammaticus, and Logicus becomes involved in the ensuing affray. Unsure whether to fight a duel with Poeta or sue him for assault, Logicus sets both courses in train. Hearing that Poeta has been hurt in the fight, Historia sends to Medicus for help, but Magus, who is helping Geometres, sees an opportunity to dispose of one of his client’s rivals, and persuades Medicus to send poison instead. Medicus’ man, Sanguis, delivers the poison, but spots that it isn’t medicine. Poeta infers Historia's treachery, but persuades himself out of absolute misogyny by thinking of Astronomia. To reconcile Poeta with Logicus and Grammaticus, Ethicus arranges a banquet. Several of the wooers use magical help in their suits. Poeta meets two gipsies, who pick his- pocket and foretell that he will marry Astronomia. Using sieve- divination, Magus predicts that Geometres will marry Astronomia, and will achieve this mainly through hypnotism, with a little pharmaceutical help. (Geometres finds the third option, conjuration, too frightening to try.) However, when Astronomia drinks the supposed love philtre at Ethicus’ feast, it poisons her. Meanwhile, Poeta seems reconciled to his former adversaries, but gets drunk and tries to pick fights with Geographus and Grammaticus; Magus charms him to sleep. Causidicus accepts fees from both Logicus and Poeta, so when the case comes to trial, Polites dismisses him and forces the parties to speak for themselves. The trial is adjourned when news arrives that Astronomia, burning up with the poison, has fallen into a coma. Medicus attends her, and cures her by administering an enema. Meanwhile the gipsies and servants indulge themselves in country pastimes: morris dancing, barley-break, and riddles. Polites takes up Geographus’ and Historia’s love- suits: he persuades Astronomia’s mother that Geographus will be a worthy son-in-law, so long as he gets rid of his servant Phantastes, and the couple are married. Polites tries the miscreants, and purges the body politic of dangerous corruption: the gipsies are branded, Magus sentenced to be broken on the wheel, and his wife Astrologia to imprisonment — but,…