Early Modern Drama · Character Archetypes

CLOUT

in Histriomastix, or The Player Whipped — Marston, John

Metadata

PlayHistriomastix, or The Player Whipped
AuthorMarston, John
Year (catalogued)1610
First performance1599
Decade1610s
GenreMoral
Play typeBoys Professional
CompanyUnknown
Speech prefix(es)Clout. | Clou. | Clot. | Clow. | Clont. | Clout
Words159
Characters831
Typicality0.44 (cosine to cluster centroid)
TCP idA03405
BritDrama no.1314
ClusterCluster 0 — Clowns, beggars & street sellers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Soft sir, we are but four or five. I st not pity this fellow's not employed in matters of State, But where's the Epilogue must beg the plaudite? Then we shall have rare Ingling at the prodigal child. Fair Ladies mean you? we have four i'th' play Oh excellent ill a spit to rost a rhyme. I marvel what use I should make of my Ingle, The hobby-horse-seller. But how shall we do for a Prologue for lords? Farewell the Muses, poor Poet adieu, When we have need't may be weel send for you. Half a share, half a shirt, a Comedian A hold share, or turn Chameleon. No (I thank your worship) we mean not to trou ble your town at this time. Its a hard world if the Constable despise it. Not while goosequillian Posthaste holds his pen. Then you might heave the latch up with your horn A shrewd morning's work for Players, Oh detestable good.

Plot summary

Plot — Histriomastix, or The Player Whipped
Under the benevolent rule of Peace, various orders of society turn to learning in their different ways: Mavortius and his fellow noblemen and gentlemen become students of the liberal arts, professional people appoint the scholar Chrisoganus as their lecturer, and some artisans organize themselves as a company of players, Sir Oliver Owlet’s Men. However, the new reign of Plenty tempts many of them away from their studies, leaving only Chrisoganus loyal. While the lawyers and merchants take advantage of the leisure of the vacation to go hunting, Mavortius entertains his guests with a play given by Owlet’s Men. Plenty is succeeded by Pride, who encourages a dedication to fashion and a neglect of proper decorum: the lawyers and merchants enrich themselves unjustly, Mavortius dismisses many of his servants to release more money to spend on pleasure, and both Chrisoganus (who has turned playwright) and Owlet's Men price themselves out of the market. Next, Envy comes to power, causing class resentment in the realm: the citizenry’s adoption of the latest fashions causes resentment among the nobility, envious behaviour disrupts the players’ rehearsal, and Mavortius becomes belligerent. The next ruler is War, under whom the players are conscripted as soldiers, Mavortius fights with his friends, the common people rise in rebellion against their social superiors, and the Spanish invade the realm. Out of this chaos comes Poverty, leading aristocrats, merchants. and peasants alike to debt, bankruptcy, and famine. Owlet’s men, unable to pay their taxes, are banished from the realm. Finally Poverty and her associates are expelled by the return of Peace and Plenty. Queen Elizabeth also appears, in the guise of Astraea, and the play ends with the five lesser rulers resigning their sceptres to Peace.