No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
Rather ask, how your sweet carriage, And Court behaviour, does best grace you, for Loucrs regard, Not so much the outward habit, as that which the garment covers. What do you talk of Gowns, and Ornaments; That have a Beauty, precious in it self, And becomes any thing. To here a Woman, that thinks her self so wise, speak so foolishly, that knows well, and does ill. I'll tell thee Daughter; In that thou knowest thy self to be beloved of so many, and settlest thy affection, only upon one; Does the Mill grind only, when the Wind sits in one corner? Or Shippsonely Sail, when it's in this, or that quarter? Is he a cunning Fencer, that lies but at one Guard? Or he a Skilful Musician, that plays but on one String? Is there but one way to the Wood? And but one Bucket that belongs to the Well? To affect one, and despise all other, becomes the precise Matron, not the Prostitute; the loyal Wife, not the lose Wanton: Such have I been, as you are now, and should learn, to Sail with all Winds, defend all Blows, make Music with all Strings, know all the ways, to the Wood, and Like a good travelling Hackney, learn to drink of all Waters. Well look too't when it's late, and then repent at leisure, as I have done; Thou seest, heeres nothing but Prodigality and Pride, Wantoning, and Wasting, Rioting, and Revelling, Spoiling, and Spending, Gluttony, and Gormondising, all goes to Havoc, and can this hold out? When he hath nothing left, to help himself, how can he Harbour thee? Look at length, to Drink from a dry Bottle, and feed from and empty Knapsack, look too it, it'll come to that. Live to one man? a jest, thou mayest aswell, tie thy self to one Gown; and what Fool, but will change with the Fashion, Yes, do, Confine thy self to one Garment, and use no Variety, and see how foone it will Rot, and turn to Rags. Here me but speak. A cold Suit, I have on it, What he scants me in Victuals, would he but allow once in Drink. O me, I already. No burned Wine, nor Hot-waters. He with the Painted-staff, I herd you call Neptune.
Plot summary
Plot — The English Traveller
Geraldine has recently returned from foreign travels, to find that, during his absence, a childhood friend, whom he was expected to marry, married old Wincott instead; she did not seek the marriage, but has no complaints. Having no children of his own, Wincott treats Geraldine as a close friend, and is trusting enough to leave the young man alone with his wife. Geraldine agrees with her that, should they both survive Wincott, he will be her second husband, and he agrees to remain single until then. Dalavill spreads rumours that Geraldine and Mistress Wincott are lovers. Concerned at the possible scandal, Old Geraldine tests his son by proposing that he should marry; Geraldine’s refusal is taken as confirmation of the affair. Geraldine protests his innocence, but to prove it, and silence the gossip, his father insists that he should never again visit the Wincotts. His absence grieves Wincott, and Geraldine agrees to explain himself at a secret midnight meeting. He is pressed by Wincott to stay the night but, unable to sleep, decides to pass the time looking innocently at Mistress Wincott in her bed. Outside her room he overhears her talking to Dalavill: they are lovers. Disillusioned, Geraldine plans to leave England. Wincott lays on a feast to mark his departure, and everyone is invited. At the party, Geraldine confronts Mistress Wincott with what he knows. She is mortified, rejects Dalavill, faints, and dies, having written to her husband a confession. Dalavill flees the house. Wincott confirms Geraldine as his heir. In the other plot, Young Lionel lives with riotous prodigality while his father is away, abetted by some of the servants, and fills the house with whores and drunken gallants. When Old Lionel returns unexpectedly, intending to stay at home in future, Young Lionel and his associates panic and hide inside the house - leaving themselves with the problem of how to get out before Old Lionel finds them. The steward Reignald takes matters in hand, and tells them to make no sound, and pretend the house is deserted. Old Lionel finds his house apparently shut up, and Reignald explains that it has been abandoned: a previous owner committed a murder there, and now the house is haunted. When the former owner denies this, Old Lionel attempts to have him arrested. Meanwhile, Reignald is harried by a usurer to whom Young Lionel owes money. Old Lionel overhears this, and Reignald explains that the money was borrowed to 1624 buy alternative accommodation.…