Early Modern Drama · Character Archetypes

EUMORPHE

in The Courageous Turk, or Amurath the First — Goffe, Thomas

Metadata

PlayThe Courageous Turk, or Amurath the First
AuthorGoffe, Thomas
Year (catalogued)1632
First performance1619
Decade1630s
GenreTragedy
Play typeUniversity
Theaterat University;
Speech prefix(es)Eum. | E •… m. | Eumorph.
Words447
Characters2319
Typicality0.40 (cosine to cluster centroid)
TCP idA01836
BritDrama no.1889
ClusterCluster 12 — Wooers, gallants & courtly love-talk

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Beauty (my Lord) it's the worst partly of woman. A weak poor thing, assaulted every hour By creeping minutes of defacing time: Asuperfici which each breath of care. Blasts off: and every hum rous of gri e, Which flows from forth these Fountains of our eyes Wash that away, as rain does Winter's snow. But those bles guiders of all Nuptial rites, Have wrought a better sement to make fa to, The hearts of Lovers; the tr e name of Wife Guilds over our that ones, with a more constant shape Than can be subj ct or to time, or c re: And in our selve ; yea in our own true brea ts We have , worser ty, careful Love; And last and of all, we may have Children Children are Him ns pl dges, these shall be Perpetual chains, to link my Lord a worser me. No ( enthe ) no, it's not the Bed of state, Nor the free smile of a well pleased King: It's not the embracing Arms of Emperor's, N all the Gems that so inwreath the brows Can so allure Fortune unto their gaze, As she should still be constant; Oh she's blind, Nor does she know her self where she is kind; Close, those are Kings, and Queens whose brest's secure Like brazen walls, Lust's entrance not endure! Where impotent ambition not intrudes, Nor the unstable talk of multitudes; Foe tune sernes such, they happiness command More than all gold, all Tagu sand; As Heaven hath given us no more conspicuous thing Than form or beauty: so Like a forward spring. Nothing more short. Our Lord attends to enter in, And surely sleep envyeth his delig to, For he sits heavy on my drowsy lids, Draw all our Curtai es; sleep beguiles our ear S. But (gracious Lord) those streams (we see) soon ebb, Which with outragio S swelling flow to fast, Forbid ( ucina ) this soon kindled fire, Should ere burn out itself it's a true Theme, That never last long, that seems most extreme. That power which raised us from so base, so high, Can throw us down again as suddenly: Me Thy ks my life is but a Players Scene, In the last Act my partly was then to play, A Captive , and a ueene to day. Why Menthe, then thou deemest us happy no Thus to command a world of services, To have a King my subject; and attended With these harmonious sounds t'affect our ears? It's, were't Eternal: but I fear a pow r A woman's power, does but make port with us; Why, were we not once Menthe, a Captive (Wretch?)

Plot summary

Plot — The Courageous Turk, or Amurath the First
Amurath the Turk is diverted from his programme of European conquest when, having subdued Greece, he falls in love with a Greek concubine, Eumorphe, and marries her. He asks his tutor Lala-Schahin to furnish a wedding masque about the classical gods’ amours; Lala-Schahin does so, but appends a second masque in which Fame extols the military glory of dead heroes. His objective is to turn Amurath back to martial pursuits, since there is no need for him to marry: he has already produced enough heirs. Amurath is troubled, but also melancholy at the limitations his royal status imposes on his love-life. Schahin dresses up as the ghost of Amurath’s father and, as he goes to his marriage bed, rebukes him for squandering his imperial legacy. Amurath beheads Eumorphe in her sleep and plans to attack Europe again. There is discord in the Christian ranks, and the Turks are victorious: many Christians are slain. The prisoners of war are recruited to Amurath’s service as an elite bodyguard of janissaries. Amurath negotiates a marriage treaty between his son Bajazeth and the daughter of the King of Phrygia; this secures him further territorial control in Asia Minor. Amurath breaks off his European campaign to suppress a rebellion by his son-in-law Aladin. He invades Caramania and burns its cities; Aladin is routed, but uses his wife and children to secure Amurath’s pardon. Amurath turns his attention back to Serbia, and appoints Aladin to lead one wing of the army. A series of portents foretell Amurath’s death at Kosovo, but Schahin encourages Amurath to fight anyway. The Turks are victorious, and dead bodies pile up. Amurath goes to the field intending to show mercy to Kobelitz, the Christian general and last survivor, but Kobelitz stabs him to death. Bajazeth becomes King and strangles his brother to forestall sedition.