in The Courageous Turk, or Amurath the First — Goffe, Thomas
Metadata
Play
The Courageous Turk, or Amurath the First
Author
Goffe, Thomas
Year (catalogued)
1632
First performance
1619
Decade
1630s
Genre
Tragedy
Play type
University
Theater
at University;
Speech prefix(es)
C •… pid. | Cupid
Words
167
Characters
961
Typicality
0.64 (cosine to cluster centroid)
TCP id
A01836
BritDrama no.
1889
Cluster
Cluster 24 — Gods, cupids & celestial agents
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
Fair Bride I sang thy pithalamy, And left for thy Nuptials: Juno here thundered gainst the Thunderer, Knowing how thy beauty dazzles hers, She durst not let heavens King once glance a look, But threatened with her helbred incantations, To metamorphise thine unparaleld And most celestial shape into worse forms; And more prodigiou than ever poisoned charms. Wrought on the fabled Concubines of love: But kn w great Queen my Mother Venus vows Her everlasting guard to save such beauty, Lest if thou perish, Nature self Lose he oh ely pattern of erenity, But I must would to, Love which the Gods protect, Can never by neglect. Gaze you mortals, gaze you still, On the Gods now look your fill. Jove and Juno are descending, Yet her lealousie's not ending, Mars, stern Mars, he will not fight, But with Venus when it's Night. Daphne crowns Apollo's head, Whom she would embrace in Bed, Neptune swells his frothy cheek, Cause Diana is not meek. Gaze you mortals, &c.
Plot summary
Plot — The Courageous Turk, or Amurath the First
Amurath the Turk is diverted from his programme of European conquest when, having subdued Greece, he falls in love with a Greek concubine, Eumorphe, and marries her. He asks his tutor Lala-Schahin to furnish a wedding masque about the classical gods’ amours; Lala-Schahin does so, but appends a second masque in which Fame extols the military glory of dead heroes. His objective is to turn Amurath back to martial pursuits, since there is no need for him to marry: he has already produced enough heirs. Amurath is troubled, but also melancholy at the limitations his royal status imposes on his love-life. Schahin dresses up as the ghost of Amurath’s father and, as he goes to his marriage bed, rebukes him for squandering his imperial legacy. Amurath beheads Eumorphe in her sleep and plans to attack Europe again. There is discord in the Christian ranks, and the Turks are victorious: many Christians are slain. The prisoners of war are recruited to Amurath’s service as an elite bodyguard of janissaries. Amurath negotiates a marriage treaty between his son Bajazeth and the daughter of the King of Phrygia; this secures him further territorial control in Asia Minor. Amurath breaks off his European campaign to suppress a rebellion by his son-in-law Aladin. He invades Caramania and burns its cities; Aladin is routed, but uses his wife and children to secure Amurath’s pardon. Amurath turns his attention back to Serbia, and appoints Aladin to lead one wing of the army. A series of portents foretell Amurath’s death at Kosovo, but Schahin encourages Amurath to fight anyway. The Turks are victorious, and dead bodies pile up. Amurath goes to the field intending to show mercy to Kobelitz, the Christian general and last survivor, but Kobelitz stabs him to death. Bajazeth becomes King and strangles his brother to forestall sedition.