Early Modern Drama · Character Archetypes

DERCETAS

in Antonius (Antony) — Herbert, Mary Sidney, trans.; Garnier, Robert

Metadata

PlayAntonius (Antony)
AuthorHerbert, Mary Sidney, trans.; Garnier, Robert
Year (catalogued)1595
First performance1590
Decade1590s
GenreTragedy
Play typeCloset Translation
Speech prefix(es)Dir. | Dirce.
Words340
Characters1760
Typicality0.39 (cosine to cluster centroid)
TCP idA01502
BritDrama no.865
ClusterCluster 10 — Mourners, mothers & doleful voices

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 10 (earine, jarbus, alack, vapours, mishap, hapless…). Matches are highlighted.

A lamentable chance. Oh wrath of heavens! Oh Gods too pitiless! Alas too hard mishap! When I but dream of what mine eyes beheld, My heart does freeze, my limbs do quivering quake, I senseless stand, my breast with tempest tossed Kills in my throat

Full speech

A lamentable chance. Oh wrath of heavens! Oh Gods too pitiless! Alas too hard mishap! When I but dream of what mine eyes beheld, My heart does freeze, my limbs do quivering quake, I senseless stand, my breast with tempest tossed Kills in my throat my words, ere fully born. Dead, dead he is: be sure of what I say, This murdering sword hath made the man away. When Antony no hope remaining saw How war he might, or how agreement make, Saw him betrayed by all his men of war In every fight as well by sea, as land; That not content to yield them to their foes They also came against himself to fight: Alone in court he gan himself torment, Accuse the Queen, himself of his lament, Called his untrue and traitress, as who sought To yield him up she could no more defend: That in the harms which for his sake he bore, As in his blissful state, she might not share. But she again, who much his fury feared, Got to the tombs, dark horrors dwelling place: Made lock the doors, and pull the hearses down. Then fell she wretched, with his self to fight. A thousand plaints, a thousand sobs she cast From his weak breast which to the bones was torn. Of women his the most unhappy called, Who by his love, his woeful love, had lost His realm, his life, and more the love of him, Who while he was, was all his woes support. But that she faultless was she did invoke For witness heaven, and air, and earth, and sea. Then sent him word, she was no more alive, But lay enclosed dead within her tomb. This he believed; and fell to sighs and groan, And crossed his arms, then thus began to moan. What good God now my voice will reinforce, That tell I may to rocks, and hills, and woods, To waves of sea, which dash upon the shore, To earth, to heaven, the woeful news I bring?

Plot summary

Plot — Antonius (Antony)
Antonius has neglected his charge to fight for Rome in the East, and has betrayed his wife by devoting himself to the love of Cleopatra. This has led to a war with Caesar, which Antonius lost. Now Cleopatra has betrayed him, his followers have deserted him, and he despairs at his fall from greatness through a single act of folly at Actium. Certain that Caesar will no longer accept him as co-ruler of the Empire, he resolves to die. Ransacked by the Roman army, Egypt suffers; in future it will be governed by foreigners, its wealth exported to enrich another land. Cleopatra blames herself for the disaster. Her women encourage her to live and fight for Egypt’s independence, but she is more concerned about the loss of Antony, and keen not to acquire a reputation for faithlessness in adversity. She takes refuge in a tomb and sends word to Antony implying that she is dead. He stabs himself and is taken up to Cleopatra as he dies. While the people of Alexandria mourn, Dercetas brings the sword that killed him to the exultant Caesar. Agrippa advises entering the tomb to prevent Cleopatra destroying her treasure; Caesar also wants her to grace his triumph in Rome. The Roman soldiers look forward to peace and imperial power. Cleopatra entrusts her children to the care of their teacher and plans to join Antony in the afterlife.