Early Modern Drama · Character Archetypes

SOPHRONOS

in The Lover's Melancholy

Metadata

PlayThe Lover's Melancholy
Year (catalogued)1629
First performance1629
Decade1620s
GenreTragicomedy
Play typeAdult Professional;Professional
CompanyKing's Men
TheaterBlackfriars;Globe;Indoor Professional;Outdoor Professional
Speech prefix(es)Soph. | Sophronos. | Sophr. | Sophron.
Words472
Characters2637
Typicality0.32 (cosine to cluster centroid)
TCP idA01055
BritDrama no.2259
ClusterCluster 14 — Law & judgment

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

From mine eyes, son, son of my care, my love, The joys that bid thee welcome, do too much speak me a child. Here thou still findest A Friend as noble ( Menaphon ) as when Thou leftest at thy departure. Noble Lord. You should have done this sooner, Aretus ; You were his Tutor, and could best discern His dispositions to inform them rightly. 'Tis excellent: we must all follow fashion, and entertain Shee-waiters. Letters are come from Crete, which do require A speedy restitution of such ships, As by your Father were long since detained; If not; defiance threatened. Through your Land Your subjects mutter strangely, and imagine More then they dare speak publicly. For my partly (Sir) I will be plain, and brief: I think you are of Nature mild and easy, Not willingly provoked, but withal headstrong In any passion that misleads your Judgement. I think you too indulgent to such motions, As spring out of your own affections, To old to be reformed, and yet too young To take fit council from your self, of what Is most amiss. We find him timely now let's learn the cause. Thus you conclude, that as the cause is doubt full, The cure must be impossible; and then Our Prince (poor Gentleman) is lost for ever, As well unto himself, as to his subjects. For reward, You shall make your own demand. Come, come, you shall not fear it. Yes, and grace it too Sir. For Corax else is umorous and testy. Enough, thou art a perfect Arts-man. Your presence, Great Sir, makes every room a Sanctuary. The Prince speaks t'ee, Niece. From the Prince, deer Brother, I present you this rich Relic, A Jewel he hath long worn in his bosom: Henceforth he bade me say, he does beseech you To call him son, for he will call you Father. It is and honour (brother) that a subject Cannot but entertain with thankful prayers. Be moderate in your loys, he will in person Confirm my errand, but commands my service. Our Commonwealth is sick: 'tis more then time That we should wake the Head thereof, who sleeps In the dull Lethargy of lost security. The Commons murmur, and the Nobles grieve, The Court is now turned Antic, and grows wild, While all the neighbouring Nations stand at gaze, And watch fit opportunity, to wreak Their joust conceived fury, on such injuries, As the late Prince, our living Master's Father, Committed against Laws of truth or honour. Intelligence comes flying in on all sides, Whilst the unsteady multitude presume, How that you, Aretus, and I, engross (Out of particular Ambition) Affairs of government, which I for my partly, Groan under, and am weary of. 'Tis to me a mystery, I understand it not. I never saw him so much distempered.

Plot summary

Plot — The Lover's Melancholy
Menaphon returns home to Cyprns after a year's travel, bringing with him Parthenophill, a young man he met in Greece. Neither his love-Life nor that of his friend Amethus is going well: Amethus' love Oeophila is too preoccupied with her father's illness to entertain his suit. and Menaphon 's love Thamasta seems uninterested in men - at least until she meets Parthenophill. She sets her maid Kala to woo the newcomer, to avenge a slight, Kala courts him for herself, but Parthenophill rejects them both. Prince Palador has also been unlucky in love : two years before, during his father Agenor's lifetime, he was to have married Erodea, daughter of the principal minister, Meleander; but Agenor wooed her for himself and attempted to have her kidnapped; Mdeander rescued her and she disappeared, leaving the disgraced Meleander to sink into insanity under house arrest. Now Palador is melancholy, and affairs of state are neglected. The court physician Corax undertakes to tind the cause of Palador's malady, and presents a masque of mdancholy, representing various types of mental disorder: lycanthropia, hydrophobia, delirium, phrenitis, and St Vitus' dance, but not love-mdancholr, v.,-hich is represented by a sizeable blank in the masque's paper programme. Palador's angry reaction to Co-ra."l'.'s commentary on the omission reveals that this is his malady . Menaphon becomes jealous of the attentions Thamasta pays to Parthenophill, but her persistenct: leads the young man to reveal the truth: 'he' is a1..-tually a woman: Thamasta writes to tell CleophUa. Palador also takes an interest in Parthenophill, who stirs something in his memory: she is in fact Erode-a, who was spirited away to Athens by her uncle , a.nd lived there in protective male disguise . \\'ith his love restored to him. Palador now devotes himself to curing her father 's madness . Cora..." drug s Mdeander and has him shaved and dressed dt!\:ently in his sleep; he wakes to sanity , is rew1ited with En.idea , and is restored to his old office and given some new ones. He gives his blessing to Erodea 's marriage lo Palador. Encouraged by Thamasta, Cleophila agrees to marrv Amethus, and Thamasta accept.,; i\-knaphon. In 'the sub-plot, the courtier Peli.is supplie<l Cuculus with a page, Grilla, and leads hii:n tCl believe that tht · boy is actually a girl. CucuJus think.-. he is setting a new court fashion for temalc pages . He learns the truth ah1:r Grilla punches hin1 on the nose.