Early Modern Drama · Character Archetypes

KALA

in The Lover's Melancholy

Metadata

PlayThe Lover's Melancholy
Year (catalogued)1629
First performance1629
Decade1620s
GenreTragicomedy
Play typeAdult Professional;Professional
CompanyKing's Men
TheaterBlackfriars;Globe;Indoor Professional;Outdoor Professional
Speech prefix(es)Kala. | Kala | Kal.
Words653
Characters3425
Typicality0.45 (cosine to cluster centroid)
TCP idA01055
BritDrama no.2259
ClusterCluster 1 — Wives, widows & intimate counsel

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Lady. Lock your secrets close then: I am not to be forced. You are in love. He's handsome, Richly endowed; he hath a lovely face, A winning tongue. Madame, I will make it Mine own case; he shall think I am in love with him. 'Tis for your sake: I'll tell him so; but Faith I am not, Lady. Trust me. May I not be offensive, Sir? Then briefly, good, resolve me: Have you a Mistress, or a Wife? You said I should. Madame, no: We were not come to that. I have not verily deserved this cruelty. Are you so quick? Well, I may chance to cross Your peevishness. Now though I never meant The young man for my self; yet if he love me, I'll have him, or I'll run away with him, And let her do her worst then: what, we are all But flesh and blood; the same thing that will do My Lady good, will please her woman too. My Lady do's expect'ee, thinks all time Too slow till you come to her: wherefore young man, If you intend to love me, and me only, Before we partly, without more circumstance Let us betrothe our selves. Wrong me no more Then I wrong you: be mine, and I am yours: I cannot stand on points. The thing is sure a Gelding—Shall not? well, You're best to prate unto my Lady now, What proffer I have made. Do, do, 'tis but a kind heart of mine own, And ill luck can undo me.—Be refused? Oh scurvy.—Pray walk on, I'll overtake thou. What a greene-sickness-liuer'd Boy is this! My Maidenhead will shortly grow so stale, That'twill be mouldy: but I'll mar her market. Yes, I can direct'ee: But you (Sir) must forbear. I said so. Your bounty has engaged my truth; receive A secret, that will, as you are a man, Startle your Reason: 'tis but mere respect Of what I owe to thankfulness. (Dear Sir) The Stranger whom your courtesy received For Friend, is made your Rival. My Lady Dotes on him: I will place you in a room, Where, though you cannot hear, yet you shall see Such passages as will confirm the truth Of my intelligence. Yes, yes: it makes me mad too, that a Gentle man So excellently sweet, so liberal, So kind, so proper, should be so betrayed By a young smooth-chind straggler: but for loves sake Bear all with manly courage.—Not a word, I am undone then. Oh speak little. Walk up these stairs, and take this key, it opens A Chamber door, where at that window yonder, You may see all their courtship. As little noise as may be, I beseech ye; There is a back-stair to convey ye forth Unseen or unsuspected.—He that cheats A Waiting-woman of a free good turn She longs for, must expect a shrewd revenge. Sheep-spirited Boy, although he had not married me, He might have proffered kindness in a corner, And never have been the worse sor't. They are come; On goes my set of Faces most demurely. Yes, Madame. I shall. Sweet Venus, turn his courage to a Snowball, I heartily beseech it. Did your Ladyship call me? Your servant Menaphon desires admittance. Nor did you ever love in earnest any Fair Lady, whom you wished to make your own? What your friends or means are I will not be inquisitive to know, Nor do I care to hope for. But admit A dowry were thrown down before your choice, Of Beauty, Noble birth, and sincere affection, How gladly would you entertain it? (Young man) I do not tempt you idly. all will out. Not I? I do protest, I have been, Madam. That Antic! The trim old Youth shall wait ye. These very words he spoke. You have even spoken all can be said or thought. I hope your tongue ha not betrayed my honesty.

Plot summary

Plot — The Lover's Melancholy
Menaphon returns home to Cyprns after a year's travel, bringing with him Parthenophill, a young man he met in Greece. Neither his love-Life nor that of his friend Amethus is going well: Amethus' love Oeophila is too preoccupied with her father's illness to entertain his suit. and Menaphon 's love Thamasta seems uninterested in men - at least until she meets Parthenophill. She sets her maid Kala to woo the newcomer, to avenge a slight, Kala courts him for herself, but Parthenophill rejects them both. Prince Palador has also been unlucky in love : two years before, during his father Agenor's lifetime, he was to have married Erodea, daughter of the principal minister, Meleander; but Agenor wooed her for himself and attempted to have her kidnapped; Mdeander rescued her and she disappeared, leaving the disgraced Meleander to sink into insanity under house arrest. Now Palador is melancholy, and affairs of state are neglected. The court physician Corax undertakes to tind the cause of Palador's malady, and presents a masque of mdancholy, representing various types of mental disorder: lycanthropia, hydrophobia, delirium, phrenitis, and St Vitus' dance, but not love-mdancholr, v.,-hich is represented by a sizeable blank in the masque's paper programme. Palador's angry reaction to Co-ra."l'.'s commentary on the omission reveals that this is his malady . Menaphon becomes jealous of the attentions Thamasta pays to Parthenophill, but her persistenct: leads the young man to reveal the truth: 'he' is a1..-tually a woman: Thamasta writes to tell CleophUa. Palador also takes an interest in Parthenophill, who stirs something in his memory: she is in fact Erode-a, who was spirited away to Athens by her uncle , a.nd lived there in protective male disguise . \\'ith his love restored to him. Palador now devotes himself to curing her father 's madness . Cora..." drug s Mdeander and has him shaved and dressed dt!\:ently in his sleep; he wakes to sanity , is rew1ited with En.idea , and is restored to his old office and given some new ones. He gives his blessing to Erodea 's marriage lo Palador. Encouraged by Thamasta, Cleophila agrees to marrv Amethus, and Thamasta accept.,; i\-knaphon. In 'the sub-plot, the courtier Peli.is supplie<l Cuculus with a page, Grilla, and leads hii:n tCl believe that tht · boy is actually a girl. CucuJus think.-. he is setting a new court fashion for temalc pages . He learns the truth ah1:r Grilla punches hin1 on the nose.