Early Modern Drama · Character Archetypes

SERVANT

in The Night Walker, or The Little Thief — Fletcher, John; Shirley, James, rev.

Metadata

PlayThe Night Walker, or The Little Thief
AuthorFletcher, John; Shirley, James, rev.
Year (catalogued)1640
First performance1611
Decade1640s
GenreComedy
Play typeAdult Professional
CompanyLady Elizabeth's Men
TheaterPhoenix/Cockpit;Indoor Professional
Speech prefix(es)Ser.
Words154
Characters790
Typicality0.21 (cosine to cluster centroid)
TCP idA00966
BritDrama no.1772
ClusterCluster 20 — Conjurers, witches & physicians

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

They are not in the window, where they use to be. 'Twas a strange mischance sir. Did it not trouble you sir, To see her dead? Why, and please you? If yowl go To charge, let me alone to find you Books. Whats that? Did you hear nothing? it's a — Whats that? What shall we do sir? O sir, a Ghost, the very Ghost of Mistress Bride. I have no power to run away. There are more spirits. Here is Mr. Hartlove, Madame, come to see you: Who are you? My Master is not at leisure to hear business. You must go to another Justice, I'll assure My Master is not well in health. You have no books warrant ballads Mr. Constable About you? A Constable sir, would speak about some business, He says, will bring you fame, and mighty profit. Madam, here is the gentleman again. He that loved my young Mistress.

Plot summary

Plot — The Night Walker, or The Little Thief
The usurer Justice Algripe has seized the wastrel Lurcher’s lands to settle a mortgage; he was also amorously interested in Lurcher’s sister, who has since disappeared. The destitute Lurcher is left to steal for a living; invited to join him, his friend Wildbrain prefers womanizing, on the grounds that it will not end on the gallows. Lurcher is approached by a boy, Snap, and, after ascertaining his skills at deception, takes him into his service. Algripe marries Wildbrain’s cousin Maria, who consented out of filial obedience rather than love: she loves Hartlove. Her mother’s household opposes the match, suspecting that old Algripe is impotent, and Wildbrain arranges for Hartlove to meet her on her way to bed and cuckold Algripe on his wedding night. She refuses his advances and faints when they are found together; she is taken for dead and prepared for burial. Her mother throws Wildbrain out for his part in the incident. Lurcher burgles the house that night, frightening the servants by pretending to be a ghost; but what he supposes to be a chest of jewels is actually Maria’s coffin. Upon discovering what their swag really is, he and his accomplices attempt to bury her in secret, but have a chance encounter with Algripe in the churchyard. Snap frightens him away by impersonating Maria’s ghost, but the thieves are scared off themselves when Maria wakes up in her coffin. Wildbrain meets Hartlove in the dark; Hartlove bears him a grudge and fights him. Maria hears the commotion and pretends to be her own ghost, enjoining them not to fight. Wildbrain is already wounded, and takes refuge in the next house he finds, which belongs to Lurcher’s mistress and partner in crime. They fall for one another and he shows off her gifts to Lurcher, who recognizes them as stolen 1615 property — his own booty. Maria’s mother accuses Algripe of stealing the body; when he refuses to repay the marriage portion, she begins litigation. Lurcher cons his way into Algripe’s house posing as a bookseller, ties him up, and steals his valuables and papers, including his own mortgage. Maria returns to her mother’s household posing as her nurse’s Welsh niece. Struck by the resemblance to dead Maria, Hartlove falls in love with her. Lurcher impersonates a constable and takes Algripe to a church where, he says, the villains who robbed him are hiding out; he then drugs Algripe and stows him in the vault. When the usurer wakes up, he is visited by ‘Furies’ who want to carry him to hell, and…