Early Modern Drama · Character Archetypes

WAGTAIL

in A Woman Is a Weathercock — Field, Nathan

Metadata

PlayA Woman Is a Weathercock
AuthorField, Nathan
Year (catalogued)1612
First performance1609
Decade1610s
GenreComedy
Play typeBoys Professional
CompanyChildren of the Queens Revels (Children of the Whitefriars) (?)
Theaterbefore the Court;Whitefriars;Whitehall;Indoor Professional
Speech prefix(es)Wag. | Mrs. Wag. | Wag..
Words873
Characters4474
Typicality0.38 (cosine to cluster centroid)
TCP idA00725
BritDrama no.1599
ClusterCluster 9 — Boon companions & bluff banter

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Sweet M. Pendant. Puls his by the sleeve. What a stir is here made about lying with a Gen tlewoman, I have been lain with, a hundred and hun dreaded times, and nothing has come on't, but haulke, hum, haulke, hum, o, o. Thus have I done for this month or two, haulke, hum. Hawk, hawk, hawk, bitter, bitter, pray God I hurt not the Babe: Well, let me see, I'll begin with Knights, Inprimis, Sir John Doot-well, and Sir William Burnit. For old Sir Innocent Ninny, my Master, if I speak my Conscience look ye, I cannot directly accuse him, much has he been about, but done nothing; marry for S. Abraham, I will not altogether quit him, let me see, theres four Knights, now for Gentlemen. Master Lovall, Master Liueby't, and M. Pendant, huke, him, up, him, up. What say you Jack Sauce? Why Sir, out of Town, I hope 'tis not the First time you have seen a child carried out of Town in a Dos sir, for fear of the Plague. Not you Sir, I know by your asking. Do, what would you do, have done too much already. I am with child by you. Yowl find it Sir in earnest. Do you wrong me so much to think otherwise. This 'tis for a poor Damsel Like my self, To yield her Honour and her youth to any, Who strait conceives she does so unto many, and as I have a soul to save, 'tis true. Its all one, I'll have you for your qualities. How, came you by your good clothes. Why, what mends will you make me, can you give me some sum of money to marry me to some Tradesman, as the play says. Faith, not enough to make up a child. I by my troth, and thank you too, Yes, and something more beside that. Your instructions; Nay faith, you shall see I have as fruitful a brain as a belly, you shall hear some additi ons of my own, my fantasy even kicks Like my Bastard: well Boy, for I know thou art Masculine, neither thy Fa there nor thy Mother had any feminine quality, but one, and that was to take a good thing when it was proffered; when thou inherit'st Land, strange both to thy Father and Grandfather, and ridest in a Caroch, it may be thy Father and old Footman, will be running by thy side, but yonder comes the Gentle Knight, and my Squire. Unfortunate Damsel, why dost thou love Where thou hast sworn it never to reveal? May be he would vouchsafe to look on thee Because he is a Knight, is it thy terror, Why peradventure he is Knighthoods Mirror. Beauis on Arundel with Morglay in hand, Near to my Knight in prowess does not stand; They say Sir Beauis flew both Boar and Dragon, My Knight for that can drink up a whole Flagon, a thing as famous now amongst our men, as killing Monsters were accounted then, 'Tis not thy leg, no, were it twice as good, Throws me into this melancholy mood, Yet let me say and swear, in a cross Garter, Poles never showed to eyes a lovelier quarter. Courteous Sir Abraham. O, thy very name, Like to a Hatchet cleaves my heart in twain, When first I saw thee in those little Breeches, I laughed for joy, but when I herd thy speeches I smiled down right, for I was almost frantic, A modern Knight should be so Like and Antic, In words and deeds, those Pinkanies of thine, For I shall never be blessed to call them mine. How they did run not rheumatickly run, But round about the room, one over one, That wide mouth no, small, no, but Middle-size, That Nose Dominical, that head, Like—wise. What news good Cozen, I hope you have not revealed my Love. Lay with me, alas no, I say not so, nor no man li ving; but there was one night above the rest, that I dreamed he lay with me, and did you never hear of a child begotten in a Dream. Well, I will love him in despite of all, How ere he uses me, 'tis not the shame Of being examined, or the fear of whipping. Should move me, would but he vouchsafe his love, Bear him this purse filled with my latest breath. Blows in it I loved thee Abraham Ninny, even in death. Offers to stab O, let me die then in his worships arms. O happy woman. I should never have known you by that, for you wear it on your head, and other folks in their pockets. Umh, a my Conscience I am peppered, well thou tumblest not for nothing, for he Dances as well that God thee, and plays as well on the Viol, and yet he must not Father thee, I have better men; let me remem ber them, and here in my Melancholy. choose out one Rich enough, to reward this my stale Virginity, or fit enough, to marry my little Honesty; Haulke, hawk. Sir you speak Like and understanding young Gen tleman, and I acknowledge my self much bound to you for your counsel.

Plot summary

Plot — A Woman Is a Weathercock
Scudmore is in love with Bellafront, and his friend Nevill persuades him, with difficulty, to show the love- letter he has received from her. There is a slight complication: Nevill is on his way to .Bellafront’s wedding. She is to marry Count Frederick that morning. The whole family is mired in matrimonial competition. Bellafront’s sister Lucida also loves Frederick, and has sworn never to marry for his sake; but she is being courted by the foolish Sir Abraham Ninny, who has got himself knighted expressly to make himself a more eligible son-in-law. The youngest daughter, Katherine, is also to be married that morning, to Strange the merchant, but she too has another admirer, Captain Pouts. Unbeknown to Scudmore, Nevill impersonates the parson who is to officiate at the wedding. Scudmore tries to catch Bellafront at the church door, but she refuses him; this convinces him that all women are perfidious. After the wedding, Pouts publicly declares that Katherine has slept with him on many previous occasions. Strange seems reluctant to seek legal redress for this slander, but only because he doesn’t want anyone to stop him secretly taking a more immediate revenge. He tries to see Pouts at his lodging, but Pouts assumes he has come to serve a writ and will not let him in. Pouts then prepares to flee England and his creditors, but Strange intercepts him disguised as a soldier, claiming that Katherine engaged him to murder her new husband and that she loves only Pouts. Pouts admits that he slandered her; Strange wounds him in a fight and forces him to sign a document affirming her innocence. By a pretext, Scudmore gets in to see Bellafront, rebukes her, and returns her love-letters. She tells him that her father forced her to marry Frederick, and that she will kill herself rather than consummate the marriage. He mistrusts her, but Nevill arranges for him to participate in a wedding masque that evening. He and Bellafront sneak away during the dancing and are married, this time by the right parson. Suspicions of polyandry are dispelled when Nevill explains that the parson that morning was really him, so that the marriages are invalid. Strange brings Pouts to apologise to the gathering, but is almost arrested for his own murder until he reveals his identity. Pouts returns to the war, abjuring women. Strange is confirmed as Katherine’s husband, and Frederick will marry Lucida. In the sub-plot, Wagtail is pregnant, but wants to ensure that the child has a wealthier…